"The steelpan is my life," declares young musician Akua Leith.
He's the young arranger who thrilled music aficionados with an imaginative interpretation of Olatunji Yearwood's Wild and Wonderful at last year's National Junior Panorama competition. It was his debut as an arranger as well as a competition first for the Trinity All Generations Steel Orchestra (Tags). The group appeared in the Under 21 category of Junior Panorama, placing third. He had goosebumps while in the spotlight despite having 14 years experience, but in reflection said he'd have it no other way. "When I'm on stage my anxiety level builds up like it's my first time. Playing the pan acts like my counsellor. It helps me to ease stress and make right decisions," Leith said. One such decision was to bow out of the Junior Panorama ring because of his studies.
He also turned down a job as drillmaster for reigning National Panorama champion (medium) Sforzata Steel Orchestra. Leith, 27, is a final year student at the University of the West Indies (UWI), St Augustine campus reading for his bachelor of arts degree in music and has to complete a project critical to him graduating. With classes resuming smack in the middle of Carnival, Leith thought it impossible to manage both successfully. He still is committed to his craft, however. He said: "Music is my best friend. The best is when I can make an audience enjoy what I do, sending them off refreshed and with smiles; knowing to myself that I've made someone's day. My playing is so deep I cry sometimes." After UWI life, he hopes to attend Northern Illinois University, Chicago, to pursue his masters in music and then his doctorate, following which he wants to establish music scademies in the USA, Europe and T&T.
"If it wasn't for music I would have been lost. Music gives me the opportunity to progress," he said. "I hope the steelpan will be accepted in every household in T&T, as the national instrument. We will all know how to play it, care for it, and respect it. Innovations are always welcomed, but the history of the pan must live forever." A resident of Upper Cascade Valley Road, Cascade, Leith never liked pan, but loved basketball and cricket. The first child born to Dawn Leith and Derrick Thomas, he never found the sound emanating from the pan as pleasing. When the pan bug caught him his active interest in sports fizzled. Leith is somewhat of a celebrity at home citing that his family is coy. But they are always amazed when images of him appear in the newspapers or television. His success thrills them. His being the first family member to attend university wowed them. He looks forward to experiencing similar sensations when his son Asayeis pursues higher education. So does Asayeis mother Diandra Patterson.
More than a decade after Leith embraced the steelpan he considers himself fortunate to have met those people who impacted his life for the better. Dion Forbes Joseph, Seion Gomez and Jessel Murray are names of musicians that easily come to mind. While a member of South East/Prison Youth Club under Joseph's supervision Leith said, the band embraced him during a dark period in his life. Joseph introduced Leith to Gomez. Leith proudly refers to Gomez as his big brother and friend. Gomez continued the nurturing process by recommending Leith to Dr Phaedra Pierre, director of Tags, a music development outfit he (Leith) would ultimately rise to hold the post of musical director in. Leith joined a steelband called Sadiki Sticks On Steel where Gomez was a member. They toured together.
As a well constituted member of Sadiki, Leith said, his skills were honed while he was pushed to new musical and performing boundaries. He then discovered his soloist skills and played at high profile gigs. Leith said: "I learnt that I'm as good as I look. The band impacted my life in different ways. I love those guys." UWI lecturer Murray is his idol. Murray incidentally is Leith's boss and music director/conductor at the National Steel Symphony Orchestra (NSSO). Leith has just begun to learn to play and compose on the piano. Real life experiences fuel his inspiration to compose, but he's not brave enough to publish any of his works in the genres of reggae and R&B. When it comes to arranging, he's "very competitive" and uses "friendly treats," as motivation to guide his work. Naturally, he looks forward to competing in the Panorama big league together with or against big name-bands.
