Shahad Ali
Senior Press Pass Correspondent
The Lilliput Theatre has clearly outdone itself with its 2012 production 'Anansi and the World Wide Web'. Lilliput Theatre has always been considered as the flagship of children's theatre in Trinidad and Tobago, catering for ages three to 18. In its latest production, the Lilliput cast explored the memory of one of West Africa's and the Caribbean's most popular storytelling characters. From the trickster, Anansi, to the victimized, Brer Tiger, members of the media were treated to a special media preview on recently at the Queen's Hall Auditorium. As always the Lilliput Theatre pushes its students to reach their maximum potential. The night was full of young thespians boasting of expansive vocals, rhythmic dances and actors that fully embodied their characters. In this production the students all had a part to play in the writing of their scripts as they explored the concept that was Anansi.
The mischievous character himself, on stage, showed several people of a local aesthetic that ranged from the common man on the street to the highest class of a social structure. "The essence of this production is to revive the Anansi story tradition while putting our spin on it. We are interested in what we can learn from this trickster" shared Lilliput's director, Wendell Manwarren. Since it is a custom of Lilliput to comment on the happenings in the country, satirical comments were made on politicians as well as on the 50 years of independence that Trinidad and Tobago is about to celebrate. All of this was incorporated into the concept of Anansi and his tales. At the end of the production gieMAGAZINE was able to sit with four young Lilliputians to discuss their thoughts on the production. On stage, there were many embodiments of Anansi; however we needed to hear the answer to 'Who is really Anansi?' from the young actors themselves. Seventeen-year-old Asia Waite of St Joseph's Convent, Port-of-Spain spoke about her character: "My Anansi, is ah duttyness Anansi, so therefore my character is more on the promiscuous side. I reveal all the lies and all the untold stories. It's all about how people do not listen to our stories anymore because of the World Wide Web." Another student, 16-year-old, Christopher Ross-Dick of Queen's Royal College added to Asia's statement saying that "We are all Anansi's in our own special way!"
Commenting further, this time on social media, Asia admitted that she was pressured a bit to join websites such as facebook, but she never got the point of it and rarely checks her accounts for any updates. Fifteen-year-old Kenya Solane-Seale admitted that she procrastinates a lot online, however sites such as facebook helps her quite a bit with respect to peer reviews of class work in online groups. Shermarke Thomas, a 19-year-old, shared similar sentiments stating that it is a waste of time and hinders one's productivity. Christopher, Asia, Kenya and Shermarke all embodied different versions of Anansi which exist in our society. It is interesting to note that of the four, the least expressive off stage had a remarkable presence on stage. Christopher played the role of 'Wet Man Anansi' who was very concerned about his swag. He boasted of his online contacts and that the Web should be all about him! Asia also made her presence with her 'Duttyness Anansi', making her comments on how women are viewed in today's society. Asia was quite excited to express her thoughts on the 50 years of Independence that Trinidad and Tobago is about to celebrate. "Like Piper Man Anansi said, "we're independent, but we are still trapped! It's 50 years; we could have reached further; the mentality of today's people is quite different"" she stated. So what advice do these youngsters have to offer to you folks in theatre arts? Kenya said "Take every opportunity and always be confident!" Christopher also added to never judge theatre arts by its cover and to remember that practice is your friend.
