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Wednesday, July 16, 2025

Life of Pi movie stays true to book

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Hats off to di­rec­tor Ang Lee for not mess­ing up the film ver­sion of Life of Pi, our re­cent Sun­day Arts Sec­tion (SAS) Book Club nov­el.

Un­like most Hol­ly­wood di­rec­tors, who have a pen­chant for mess­ing up good books, Lee, for the most part, stayed true to the sto­ry, faith­ful­ly fol­low­ing Yann Mar­tel's nov­el and con­dens­ing it so that lit­tle that was re­al­ly im­por­tant was lost.

I'm a bit sor­ry that Ang Lee left out the scene with the ship that near­ly hit Pi's raft. In the movie, there is a ship but it re­mains in the dis­tance. In the book, the ship that near­ly runs over Pi was a high­ly sym­bol­ic scene that al­lows Pi to rep­re­sent

just how small and un­no­tice­able we are in the larg­er scheme of life.

Still, Lee made no ma­jor changes from the book, and he cer­tain­ly didn't change any­thing on a whim. Life of Pi is a chal­leng­ing book to read, as SAS Book Club read­ers have like­ly dis­cov­ered. There are so many in­ter­pre­ta­tions of the book, and read­ers are left with more ques­tions than an­swers. Some peo­ple think all the events Pi Pa­tel con­veys in the sto­ry are true-as wild as Pi's sto­ry is.

Oth­ers be­lieve Pi Pa­tel's sec­ond sto­ry, nar­rat­ed to the Japan­ese in­ves­ti­ga­tors who in­sist they need a more cred­i­ble sto­ry about the sink­ing of the ship Pi was on when he his par­ents de­cid­ed to mi­grate to Cana­da. This too Ang Lee han­dled well.

He al­lows Pi, the grown man, to re­late an al­ter­na­tive end­ing from the one that Pi orig­i­nal­ly de­cides to sell about be­ing on a raft with an orang­utan, ze­bra, hye­na and Ben­gal tiger. Lee of­fers no vi­su­al in­ter­pre­ta­tion of Pi's sec­ond sto­ry. This clev­er­ly forces movie-go­ers to choose be­tween the sto­ry they saw and the sto­ry they heard.

It is no co­in­ci­dence that most peo­ple in Hol­ly­wood felt that Mar­tel's 2002 Book­er Prize-win­ning nov­el could not be turned in­to a film. Even Mar­tel said he nev­er had an idea for a filmed ver­sion of his nov­el. Lee is said to have wait­ed for the tech­nol­o­gy to catch up with his vi­sion of the movie, which was filmed in 3D.

Life of Pi moves at a leisure­ly pace both in the nov­el and the movie. Ex­cept for the ship­wreck, storms and a leap­ing an­i­mal here or there, Life of Pi of­fers no fast-paced plot ei­ther in nov­el or movie form.

When Pi nar­rates his sto­ry to the au­thor who tracks him in down in Cana­da af­ter hear­ing about the in­cred­i­ble sto­ry from Pi's un­cle in Pondicher­ry, Pi is al­most dis­pas­sion­ate. Most movie di­rec­tors would have been tempt­ed to beef up the nar­ra­tion and make it over­dra­mat­ic, but not Lee. He us­es the low-key, un­der­stat­ed nar­ra­tion to build a sense of mys­tery. Is Pi dis­tant and aloof be­cause he is hid­ing the re­al sto­ry? That's what read­ers and movie-go­ers must de­cide.

Join us on the SAS Book Club Face­book page and tell us what you thought about the movie ver­sion of Life of Pi. How well do you feel Ang Lee in­ter­pret­ed the nov­el? Did the movie change your mind about the end­ing?


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