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Monday, July 28, 2025

Calypso Monarch champ: Art form still relevant

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Rod­er­ick "Chucky" Gor­don, who cap­tured the 2014 Ca­lyp­so Monarch ti­tle at Sun­day's Di­manche Gras show, de­fend­ed the po­lit­i­cal na­ture of his songs, say­ing this is what has his­tor­i­cal­ly dri­ven the ca­lyp­so art form in T&T."Peo­ple say mov­ing from the semi­fi­nals in Skin­ner Park to the Di­manche Gras is pri­mar­i­ly po­lit­i­cal songs. Nine or ten of the 12 songs were po­lit­i­cal, in­clud­ing mine. That is where the art form stems from. The ca­lyp­son­ian has al­ways been an em­blem of re­sis­tance, against the es­tab­lished or­der," he told the Guardian yes­ter­day.Gor­don said the ca­lyp­so art form still re­mains "rel­e­vant" de­spite crit­i­cisms in some quar­ters that it may be dy­ing."I dealt with the is­sues in the songs, the chal­lenges of the Peo­ple's Part­ner­ship, the in­sta­bil­i­ty of the Gov­ern­ment, the fact that the Prime Min­is­ter trav­els a lot. She has dif­fi­cult in­di­vid­u­als to keep in con­trol. The mu­sic is do­ing what it sup­posed to be do­ing as ca­lyp­so­ni­ans re­main the voice of the peo­ple," he said.

He has a "se­ri­ous is­sue" with how T&T's so­ci­ety treats cul­ture and he ar­gues that young peo­ple are not aware enough to keep the cul­ture and tra­di­tions alive."His­tor­i­cal­ly we have not con­sid­ered ad­e­quate­ly what it means to be Trin­bag­on­ian and all we do in this coun­try is op­er­ate in vac­u­ums and si­los. There is lack of af­fil­i­a­tion to each oth­er and dis­con­nect­ed­ness. So every­thing just hap­pens. The young peo­ple are not aware of what is go­ing on. There is no one say­ing this is how the art form is go­ing to be trans­formed," he said.

He de­scribed the com­pe­ti­tion on Sun­day as "tough.""I did not ex­pect to win be­cause of the stiff com­pe­ti­tion. I won the semi­fi­nals at Skin­ner Park but that is dif­fer­ent from the Di­manche Gras as there is a dif­fer­ent au­di­ence and at­mos­phere," he said.He spoke about so­cial me­dia like Face­book and Twit­ter and the com­ments on his song Wed­ding of De Cen­tu­ry, and said peo­ple are "un­aware" be­cause of their crit­i­cisms of his song."Peo­ple say it is a chut­ney song and I was singing for my sup­per. It is not that. This song was meant to show the melt­ing pot that T&T is. It is a vi­brant song that re­flects kaiso and pan. Yes, it has el­e­ments of chut­ney but it is mar­riage of all that this coun­try stands for," he said.

De­spite chal­lenges, he said the en­tire pro­duc­tion of the Di­manche Gras show was good."To put on a show of that mag­ni­tude and skill in near­ly im­pos­si­ble. Hav­ing to use the same venue as Panora­ma and set up the screen light­ing and sound and run it ef­fi­cient­ly is not easy. But they did that in one day and I con­sid­er it a mir­a­cle," he said.He called on the Gov­ern­ment and cul­tur­al lead­ers to come up with "strong poli­cies" to ed­u­cate peo­ple about the cul­ture of the coun­try and how to pre­serve and mar­ket it."There must be more lo­cal con­tent in our cul­ture. Then there will be less ig­no­rance as peo­ple will see their own cul­ture and have pride in them­selves," he said.


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