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Monday, August 11, 2025

Calypso must remain relevant

by

20161016

Pres­i­dent An­tho­ny Car­mona says ca­lyp­so must re­main a po­tent, trans­for­ma­tion­al and rel­e­vant force to en­sure its peren­ni­al right­ful place in the coun­try's cul­ture and the world at large.

He made the state­ment dur­ing his ad­dress on Sat­ur­day at the 29th An­nu­al "Top 20" Stars of Gold and Ca­lyp­so of the Year Awards host­ed by the Na­tion­al Ac­tion Cul­tur­al Com­mit­tee (NACC) at the Cen­tral Bank Au­di­to­ri­um, Er­ic Williams Fi­nan­cial Plaza, Port-of-Spain.

Car­mona said the ca­lyp­so­ni­ans of the past were in­ter­na­tion­al, not be­cause of rhythm on­ly but be­cause their sub­ject mat­ter was in­ter­na­tion­al.

He said that the art­form has evolved and the con­tent is now be­com­ing too cul­tur­al­ly fo­cused and is not as far reach­ing or in­ter­na­tion­al­ly un­der­stood as it was in the past.

"A ca­lyp­so ground­ed in a rhythm that is in­ter­na­tion­al, will be­come in­ter­na­tion­al but it will be a rare phe­nom­e­non for a ca­lyp­so deal­ing with a pe­cu­liar na­tion­al is­sue to be so en­dowed," he said.

"To give an ex­am­ple of us­ing our cul­tur­al per­sona for mau­vais langue and gos­sip with in­ter­na­tion­al out­reach, skil­ful­ly done was that ge­nius of a song Phillip My Dear by Slinger Fran­cis­co, the Mighty Spar­row. In this ca­lyp­so, a man had bro­ken in­to Buck­ing­ham Palace and it was al­leged that he had en­tered the Queen's bed­room," he said.

Car­mona said he is about con­scious mu­sic in ca­lyp­so and its im­por­tant role in ar­rest­ing in­jus­tice and be­ing a cat­a­lyst for the re­quired changes in so­ci­ety. "The cry for jus­tice is of­ten re­flect­ed in the chant lines of the ca­lyp­son­ian. It is a re­gion­al thing," he said.

As a ca­lyp­son­ian him­self and still a com­pos­er of ca­lyp­so, Car­mona said the ho­n­our and priv­i­lege is his to be in the com­pa­ny of "the van­guard move­ment" called the Na­tion­al Ac­tion Cul­tur­al Com­mit­tee who, he said, fight tire­less­ly and self­less­ly to pre­serve the art­form in its purest man­i­fes­ta­tion.


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