JavaScript is disabled in your web browser or browser is too old to support JavaScript. Today almost all web pages contain JavaScript, a scripting programming language that runs on visitor's web browser. It makes web pages functional for specific purposes and if disabled for some reason, the content or the functionality of the web page can be limited or unavailable.

Tuesday, July 15, 2025

THE CARNIVAL BUBBLE

by

20170208

The last cou­ple of columns looked at Car­ni­val eco­nom­ics and con­clud­ed it looks like a scam, a mas­sive feed­ing trough for po­lit­i­cal/cul­tur­al hogs. That con­clu­sion was da­ta-based�a par­lia­men­tary re­port on the NCC, gov­ern­ment sources, and a ba­sic knowl­edge of eco­nom­ics and cul­tur­al econ­o­my. But oth­er, al­ter­na­tive facts and con­clu­sions are out there. Ca­lyp­son­ian De Fos­to was on CNC3's Morn­ing Brew show on Mon­day, pre­sent­ing many of them. He be­lieves Car­ni­val gen­er­ates about $2 bil­lion. And "some­body" told him it was clos­er to $10 bil­lion, and he wants his share. (The clip is here https://youtu.be/DK7Kt4gzN­pY.)

De Fos­to's song, of which a snip­pet was played on the Morn­ing Brew, said, in essence: "Don't treat we so. We want we mon­ey!" It's log­i­cal if ca­lyp­so­ni­ans, steel­bands­men, NC­BA, TU­CO, be­lieve they gen­er­ate bil­lions of dol­lars, to want their share of it. In­ci­den­tal­ly, the Min­is­ter of Tourism be­lieves Car­ni­val gen­er­at­ed $350 mil­lion last year (though she pro­vid­ed no da­ta on how that num­ber was de­rived). De Fos­to's log­ic would be sound even if this low­er num­ber were true: a $350 mil­lion re­turn for a $250 mil­lion in­vest­ment is great. If it were true.

This (no­tion of Car­ni­val prof­it gen­er­a­tion) is rel­a­tive­ly new. Car­ni­val eco­nom­ics has al­ways been a po­lite way of say­ing "State hand­out". In news­pa­pers and stud­ies of Car­ni­val pri­or to, say, 1990, you'd be hard pressed to find any no­tion that Car­ni­val was a mon­ey mak­er. To take a ran­dom year, 1984. The Guardian's ed­i­to­r­i­al on Feb­ru­ary 16, re­port­ed a dropoff in the ho­tel book­ings that year, and float­ed the idea that "if tourism is to be de­vel­oped...Car­ni­val must play an im­por­tant role." It al­so asked whether or not the drop-off in tourist ar­rivals might not have been a re­sult of the "hor­rors" suf­fered by vis­i­tors the pre­vi­ous year.

In the same year, Pan Trin­ba­go de­cid­ed to re­frain from ask­ing the Min­istry of Cul­ture for more mon­ey be­cause of the eco­nom­ic sit­u­a­tion. In the 1960s, the gov­ern­ment made it­self the god­fa­ther of the steel­band move­ment, and tried to strong-arm the busi­ness com­mu­ni­ty in­to sup­port­ing bands.

So where did this no­tion come from? It start­ed with the PNM ad­min­is­tra­tion of 1991�1995. Al­fred Agui­ton was ap­point­ed head of the NCC, and first float­ed the idea of mon­etis­ing Car­ni­val at a press con­fer­ence in 1992. (I was there.) Nat­u­ral­ly, it flopped. But what re­al­ly gave life to the idea was the ac­ces­sion of the UNC gov­ern­ment of 1996. Sud­den­ly (to "cul­tur­al" peo­ple out­side gov­ern­ment) the Car­ni­val be­came of su­perla­tive na­tion­al im­por­tance. Once the Man­ning gov­ern­ment cheat­ed its way back in­to pow­er in 2002, it im­me­di­ate­ly in­creased Car­ni­val fund­ing and in­ten­si­fied its pro­mo­tion as the "na­tion­al" fes­ti­val. And some­where in there the no­tion that it gen­er­at­ed all these fan­tas­tic re­turns was craft­ed.

UNC Cul­ture Min­is­ter Sen Daphne Phillips said in the Sen­ate (on Sep­tem­ber 12, 2000), Car­ni­val fund­ing had in­creased from $11.5 mil­lion in 1995 to $19 mil­lion in 2000. This was a mod­est in­crease of less than 20 per cent per year. By the time the PNM left of­fice in 2010, it was more than $100 mil­lion, an in­crease of 1,000 per cent. In 2011 it was $231 mil­lion. When the PP left of­fice in 2015 it was over $300 mil­lion.

What ac­count­ed for this in­crease? Sim­ple: the PNM's po­lit­i­cal cal­cu­la­tion that the best way to stay in pow­er was to Car­ni­valise the so­ci­ety. This meant the vi­ral spread of Car­ni­val, the in­sis­tence on its "na­tion­al im­por­tance" and its African ori­gin to en­rage its base with ideas of own­er­ship and en­ti­tle­ment. It al­so kept the pop­u­la­tion dis­tract­ed while the PM, his pals and his prophet­ess got up to all kinds of mis­chief. The PP, once it got in, saw it sim­i­lar­ly: as a con­ve­nient way to dis­tract the pop­u­lace from their own im­pres­sive mis­chief.

But, as any good Marx­ist knows, cap­i­tal needs cul­ture to make it le­git­i­mate. Once the mon­ey be­gan to grow from tens to hun­dreds of mil­lions, a Car­ni­val eco-sys­tem formed. Seg­ments, groups, be­came de­pen­dent on it. To pro­tect the flow of mon­ey, jus­ti­fi­ca­tions were re­quired and all sorts of ar­gu­ments and the­o­ries emerged about the im­por­tance of Car­ni­val to na­tion­al iden­ti­ty, to tourism, to art. Car­ni­val Stud­ies ap­peared at ter­tiary in­sti­tu­tions, along with Car­ni­val con­fer­ences, Car­ni­val acad­e­mies and spe­cial in­ter­est groups.

Each group had its ra­tio­nale, which took as start­ing point the ax­ioms of prof­it, na­tion­al­is­tic/pa­tri­ot­ic ben­e­fit, and artis­tic val­ue. Un­for­tu­nate­ly, none of these was true. Car­ni­val's ex­pan­sion was made pos­si­ble on­ly by gov­ern­ment's in­creas­ing fund­ing, not its own eco­nom­ic po­ten­tial. It was not and is not fi­nan­cial­ly self-sus­tain­ing and pos­sess­es no or neg­a­tive in­nate in­tan­gi­ble val­ue. (Look at the so­ci­ety for proof of that.) Peo­ple might think it's valu­able, but not so much to ac­tu­al­ly in­vest in or pay for it.

So now, mon­ey done and peo­ple like De Fos­to are en­raged at the loss of in­come, but it's not just ca­lyp­so­ni­ans. Many have built aca­d­e­m­ic and oth­er ca­reers and busi­ness­es in the last 10 to 15 years on this foun­da­tion. Ex­cept those busi­ness­es don't make mon­ey, they just take it from the gov­ern­ment. I doubt the pro­mot­ers of the big shows, ISM, Chut­ney SM, could show a cred­i­ble busi­ness plan to a bank for a loan.

Bot­tom line, the hus­tlers are in pain. Some hus­tlers might even have drunk their own Koolaid and be­lieve they're re­al­ly what they think they are–pa­tri­ots, or some such twat­tery. I have no sym­pa­thy ei­ther way be­cause crit­i­cal think­ing and dis­sent at the Car­ni­val ar­gu­ment, ex­pa­ti­at­ed on­ly in this col­umn (nowhere else that I know of), has been sti­fled, ig­nored, and dis­sem­bled for years. In fact what's hap­pen­ing now re­sem­bles an in­vest­ment bub­ble (a la the US de­riv­a­tives mar­ket crash of 2008), which a few peo­ple point­ed out be­fore hand and were ig­nored and re­viled. As De Fos­to might say, "bub­ble buss."


Related articles

Sponsored

Weather

PORT OF SPAIN WEATHER

Sponsored

Today's
Guardian

Publications

Shastri Boodan

Shastri Boodan

Apsara inspires youth through culture

12 hours ago
Dr Mariama Alleyne

Dr Mariama Alleyne

Dr Mariama Alleyne

Dr Mariama Alleyne

Dr Mariama Alleyne: Global Hero of Hope supports cancer survivors

2 days ago
During my consultation with Ms Brafit CEO Nicole Joseph-Chin, what was supposed to be a simple mastectomy bra fitting became something much deeper. Her thoughtful questions unlocked emotions I didn’t even realise I was holding in. She comforted, reassured, and helped me face the truth of what was coming. That bra wasn’t just clothing—it was the first real symbol of life after surgery.

During my consultation with Ms Brafit CEO Nicole Joseph-Chin, what was supposed to be a simple mastectomy bra fitting became something much deeper. Her thoughtful questions unlocked emotions I didn’t even realise I was holding in. She comforted, reassured, and helped me face the truth of what was coming. That bra wasn’t just clothing—it was the first real symbol of life after surgery.

During my consultation with Ms Brafit CEO Nicole Joseph-Chin, what was supposed to be a simple mastectomy bra fitting became something much deeper. Her thoughtful questions unlocked emotions I didn’t even realise I was holding in. She comforted, reassured, and helped me face the truth of what was coming. That bra wasn’t just clothing—it was the first real symbol of life after surgery.

During my consultation with Ms Brafit CEO Nicole Joseph-Chin, what was supposed to be a simple mastectomy bra fitting became something much deeper. Her thoughtful questions unlocked emotions I didn’t even realise I was holding in. She comforted, reassured, and helped me face the truth of what was coming. That bra wasn’t just clothing—it was the first real symbol of life after surgery.

Standing on business, not pity: My fight begins–Part 2

2 days ago
Gillian de Souza graces the cover of the book: Minding Their Own Business: Five Female Leaders From Trinidad and Tobago authored by Trini-American Joanne Kilgour Dowdy, Professor of Literacy Studies at the College of Education Health and Human Services at Kent State University.

Gillian de Souza graces the cover of the book: Minding Their Own Business: Five Female Leaders From Trinidad and Tobago authored by Trini-American Joanne Kilgour Dowdy, Professor of Literacy Studies at the College of Education Health and Human Services at Kent State University.

Gillian de Souza graces the cover of the book: Minding Their Own Business: Five Female Leaders From Trinidad and Tobago authored by Trini-American Joanne Kilgour Dowdy, Professor of Literacy Studies at the College of Education Health and Human Services at Kent State University.

Gillian de Souza graces the cover of the book: Minding Their Own Business: Five Female Leaders From Trinidad and Tobago authored by Trini-American Joanne Kilgour Dowdy, Professor of Literacy Studies at the College of Education Health and Human Services at Kent State University.

Gillian de Souza’s American culinary journey springs from T&T roots

2 days ago