Senior Reporter
jesse.ramdeo@cnc3.co.tt
With days to go before masqueraders flood the streets for Carnival 2026, National Carnival Commission (NCC) deputy chairman Kevan Gibbs says all signs are pointing to a bumper season.
Speaking with Guardian Media at Flava Village in the Queen’s Park Savannah, Port-of-Spain, Gibbs described an atmosphere of renewed energy and record-breaking participation, noting that attendance at NCC events has already surpassed last year’s figures—with the Flava Village being the most popular of the NCC activities.
“I had a conversation with a senior member of the NCC management that told me in 2025, a total of 76,000 people attended NCC events in general,” Gibbs said.
“That would include Panorama, Calypso Fiesta, stick fighting, and all the other competitions. That person told me that we have blown that out of the water as far as attendance.”
Gibbs contended that data suggests the numbers are not just incremental.
“I heard maybe about a week and a half, two weeks ago, we had already crossed 300,000 people that have participated in NCC events,” he revealed, underscoring what he believes is a clear indicator that Carnival 2026 is on track to be one of the most successful in recent years.
Flava Village officially opened on January 8, introducing a new curated culinary and cultural space aimed at expanding opportunities for vendors while enhancing the Carnival experience. It is a collaboration between the Ministry of Culture and Community Development and the NCC. Gibbs said their data showed 100,000 people had passed through the village up to yesterday.
Gibbs said at the heart of the resurgence is the Savannah, which the NCC envisions as the epicenter of the national festival.
“We envision the Queen’s Park Savannah as the Carnival capital. Everything is here. There’s no reason that more than one event cannot happen at the same time in the Savannah,” he said.
He pointed to Panorama semifinals as a prime example of the commission’s expanded vision.
“When you go to the US, to Coachella or any one of those big festivals, they have multiple stages and multiple performances happening at the same time,” Gibbs explained.
Beyond the numbers, Gibbs reassured the public that safety remains a top priority for Carnival 2026.
“I want to say that apart from everything that we put in place, I also feel a little bit secure about it because crime is down, whether anybody wants to admit it or not,” he said. Gibbs pointed to national crime statistics, noting that 2025 recorded the lowest murder rate in approximately 15 years.
“One of the things that I heard a senior police official say in a meeting this week, he’s shocked at how many people are attending Flava, and there have not been any incidents. Knock on wood,” Gibbs said.
He maintained that close coordination with law enforcement and strategic planning has helped to create a secure environment, even amid swelling crowds. He noted that accessibility and logistical adjustments have been a feature of this year’s plans.
TTPA applauds Flava Village
The Trinidad and Tobago Promoters’ Association (TTPA) is throwing its full support behind the Flava Village initiative, dismissing claims that it has disrupted other Carnival events. Speaking with Guardian Media yesterday, association advocate Paige De Leon described the experience as a “very, very good intervention” that has strengthened opportunities for entertainers while expanding access for patrons across the board.
“The events production sector is very happy about the offerings they gave the village,” De Leon said.
“The level of support that that intervention has received is very heartening because what we always look for as practitioners is an environment that is well put together.”
Since its launch, Flava Village has treated patrons to live performances from artistes including Freetown Collective, Naila Blackman, Iwer George, Ravi B, Ding Dong and Patrice Roberts. Machel Montano is expected to raise the temperature at the venue on Friday. (See page 7)
Guardian Media has been told that up-and-coming artistes are paid for their performances, while well-established ones perform at a reduced fee or for free.
According to De Leon, Flava Village has done what promoters have long advocated for, creating a vibrant, inclusive space that spreads opportunity across the Carnival spectrum.
“The more the ecosystem looks good, the more it looks healthy, the more people are going to be attracted to it,” she explained.
“What you’ve done is you have spread across the spectrum all of the offerings that people from different backgrounds, different socioeconomic places can take part.”
De Leon rejected suggestions that the free or open-access format of Flava Village may have siphoned audiences away from ticketed concerts and private events.
“I don’t think so at all. I haven’t heard or seen anything like that. I haven’t heard anyone complain or make those statements,” she said.
She argued, “The more offerings and the more options people have is the more inclined people will be to participate, and that’s to everyone’s benefit.”
