Reporter
Carisa.lee@cnc3.co.tt
This year may be the last year Gabrielle McDonald performs at the Junior Soca Monarch competition and she went out with a bang yesterday, as the 17-year-old won the Secondary School’s Category at the John Cupid Carnival Village, Queen’s Park Savannah, Port-of-Spain.
“Tonight is the night, we come to shine bright...soca is the way it is here to stay, now we must chant our part, straight to the billboard chart,” she sang.
But just like the lyrics of her 2024 soca Versatility suggests, the Lower Six St Joseph Convent (San Fernando) student plans to continue promoting Trinidad and Tobago’s culture.
“My song is supposed to show the culture that we have in Trinidad and Tobago and the fact that we should display it to the world,” she said.
McDonald said she dreams of pursuing music after graduating from school and will continue performing, as she believes talent from T&T can go far.
“I think that’s important because the amount of time and energy and effort that is put into our cultural display in Trinidad, it should be able to go across the world like every other genre,” she said.
But she’s not the only talented one in her family, as her young brother Marcus McDonald, of Presentation College (San Fernando) placed second.
“I could only lose to blood, I love my sister right here, but next year we coming back and I feel I go take it,” Marcus laughed.
Although they both scored the highest among their secondary school peers, the siblings did not see each other’s performances before yesterday.
“I thought her performance was amazing. I sat there, I watched it, I never saw it before, I was amazed I sat there and I was wow, I feel like I have some competition today,” Marcus said.
“I know that Marcus always brings energy and life into her performances so it’s no surprise that he was really good,” his sister said.
Also promoting T&T’s culture and copping the title in the Primary School Category was 10-year-old Zachary Ransome.
Despite some technical issues arising after the deejay played the wrong track, Ransome was able to keep his composure.
“I just breathe, just breathe,” Ransome told reporters when asked about the issue.
The young title holder attributed most of his success to his mother Morisha Ransome.
“I did a lot of work, my mother useless rehearsal for some reason, just to tighten up on some lil ending which is useful now,” he said.
He said he wants to be the biggest soca artiste in the world.
Last year’s winners Celine Charles (Valencia RC Government Primary) and Sekel Mc Intosh (Queen’s Royal College) both placed in the top five of their categories and were happy for their successors.
“Props to whoever wins,” Mc Intosh, who won two primary school and two secondary school titles, said.
“I will still be happy and congratulate the person who won,” Charles added.
In third place in the Secondary Schools Category was Jalessa Larzarus, 13, of Athens School of Education in Tunapuna. Like many of her peers, the teen used her song to spread a positive message.
“I got to study to be somebody, so don’t hold me back, I just not ready so hold on stead, focus, boys and books don’t match,” she sang.
Andria Roberts, of Couva West Secondary, used her chutney soca to voice her views on domestic violence.
“You ain’t toughing me, you ain’t laying one hand on meh body,” she sang.
Aleem Fraser, another Couva West student, also dealt with bullying in her piece.
Speaking at the event, Minister of Education Dr Nyan Gadsby Dolly said the voice of the youth is always important.
“Hence the value of such opportunities to hear it, all school Carnival competitions are always well subscribed,” she said.
However, she said the ministry is focusing on encouraging participation from schools that may not traditionally compete. She said the expansion of the Primary School Music Programme after COVID-19 was a critical step in achieving this goal. “That programme formerly had 50 tutors, we have expanded to 100,” she said.
Gadsby-Dolly said that programme is very important in their thrust towards cultural transformation as they work on increasing participation not only in Carnival events, but in cultural involvement across the board.
