I love you
I love you
I love you anyhow
And I don't care if you don't want me
I'm yours right now
I put a spell on you
Because you're mine
-I put a Spell on You, Nina Simone
There's an interesting documentary series on television in England called Beauty and the Beast: Ugly face of Prejudice. It charts the lives of people living with serious face disfigurements, who are then put to live for a week with someone with a "normal" face who is totally obsessed with being beautiful.
It's the kind of painful watching that makes you feel slightly dirty and voyeuristic. But by the end of every episode you don't know if to feel sorry for the people with their disfigured faces, remodelled after horrific accidents or cut apart to get rid of cancers, or for the people who put themselves at weekly and monthly expense to make themselves some version of perfect.
It brings into sharp relief the state of emotional well-being that prevails in countries and continents and nations across the world whose sense of themselves is dictated by an airbrushed unreality. The perfect colour, the perfect waist size, the perfect texture of hair. That all of these standards of beauty are still determined by whiteness is a reason for shock, considering that Europeans are a global minority.
But the global minority with the resource majority determine how we all see ourselves. Determine whether we consider ourselves beautiful enough to matter in a society so superficial and driven by the appearance of success, luck and wealth. We have always adorned ourselves. And nothing is wrong with adornment. Nothing is wrong with putting roukou on your face to go to war. Or lipstick on your mouth to attract the gaze to your full mouth.
So here comes this woman who looks like Nefertiti herself who has come back to Earth in the body of a young woman from Trinidad. Here comes this woman who has all the hallmarks of Trini womanness. All the attitude and the effortless sexiness and the sense of a spirit that is bursting out of the cage called flesh.
And you have to wonder if blackness is some kind of serious disfigurement that Trinidadians cannot countenance. So they can tell you things like you dark but you nice. As if dark skin is some sort of production error, some stain that some of us get that makes us not so perfect. I mean, you would think we would be bored of this conversation by now. About who is too black and low class to be a representative of the country.
You would think that after Wendy and Kenisha we wouldn't be having this same old stupid conversation. You would think so in a country where the women are so beautiful you could weep and the ones who aren't are beautiful anyway. I feel Athaliah's pain.
Of not being agency brown. She has the "model" frame but she doesn't look like cookie-cutter default Trini woman. When on any given day in Port-of-Spain you can see beauty of so many shades and descriptions that really to have a default setting is to deny yourself the fullness of beauty. It would be like eating half a starch and throwing away the rest.
The fact is that she won the place. There was something about her that captured somebody's feeling that she would be good to represent T&T. I have minimal if any interest in beauty pageants in general. I didn't keenly follow the contestants because, quite frankly, I couldn't give two shakes of a rat's posterior who represents us in a beauty pageant when the people who represent us in Parliament seem to be just as concerned about appearance as the people in the beauty pageants.
But the fact that there was such concern about a woman in a beauty pageant says a lot about how mature we are. Dark skin whether on Indians or Africans is bad in some people's equations. Blackness is a curse. Blackness is a reason for you to stay in the back. That is why black women, long considered the least attractive on the beauty scale, continue to have to face public ridicule and the most mind-boggling insults.
Black women need to stay back and not dare think that they are beautiful enough or bleach themselves into an acceptable brown or straighten their hair into a flowy enough state of relaxation. The ugly face of our prejudice is far uglier than the blackness we are so terrified of.
That we still play our prejudices in public, that we now bray our words of self-deprecation into the willing audience that cheers and cackles its embarrassment and shame and perhaps relief that they have some Scottish ancestor thrice removed who, thank God, put a little milk in the coffee so that they didn't come out too black. It's much deeper than a beauty pageant or some pictures on a Web site. This is our history stalking us. Begging us please to confront it or be doomed to forever repeat it.