Helen Drayton
We all have opinions about calypso, which is unquestionably one of our most treasured art forms. It becomes memorable, pulsating poetry when written and performed with the skill that, in the words of the genius Rudder, “could make a politician cringe.”
There are those calypsoes like Lord Nelson’s King Liar that have echoed through time whenever you listen to some public officials, and only this Carnival week gone by, there was a vehement denial of suppression of Helon Francis’s calypso Doh Forget.
When the Trinidad and Tobago Television (TTT) audio went silent during his performance, I thought it was a technical problem and didn’t give it a second thought until the video surfaced of an official clearly heard telling WACK FM announcers, “We mute Helon’s mic on TTT.” Afterwards, reportedly, WACK’s livestream stopped.
It would have been an amusing dimension in the mostly evangelical-like calypso competition if the NCC had beamed in Lord Nelson singing his 1981 ditty, “You hear lie? That is lie … teacher Percy say if you lie you going to hell as soon as you die …” And if only the giant of kaiso, the Black Stalin, had been in the Big Yard, he would have been heard singing, “Keep the chalice burning, look vampire passing … Burn dem.”
Contrary to the Government’s statement, Trinbagonians love good calypsos. Steelbands’ playing of the grand masters’ songs of yesteryear is testimony to a legacy of artistry that transcends generations. Like all art genres, there’s the good and the bad. Generally, it’s true that the memorability and joy of calypso lyrics today are not comparable to those of the grandmasters’ works. TUCO has questions to answer. Is it up to the task of educating and nurturing the art form, and of defending its members? The TUCO President’s remark that the Calypso Fiesta isn’t a political platform was misguided. Like all creative art forms, it’s a voice in a democracy, and any calypsonian should be free to sing political calypso, for or against government policies and actions, on any calypso platform. Social consciousness is inextricably linked to political consciousness.
The muting of Helon’s mic generated an avalanche of commentary, resulting in precisely what happens whenever a vampire strikes. Everyone wants the lyrics, giving Helon Francis and his calypso wide exposure. What was striking was not only its relevance but also its potential to awaken public consciousness to undesirable social and political trends, and it is worth listening to again. It’s a calypso for reflection on how quickly the good intentions and excellent work of a government, any government, become overshadowed by uncivil behaviour.
The Government, led by an appealing and well-liked politician, came into office with a commanding majority and overwhelming goodwill. Yet, within the short time of nine months, it has deliberately chosen to verbally abuse citizens, casting aspersions on their integrity, even inferring criminality—citizens who are performing without favour or ill will in their respective professions, some with constitutional mandates. It has lashed its victims with stigmatising descriptors: legal professionals were called “eat-ah-food filth,” the Energy Chamber, a “self-serving, greedy body,” banks, “selfish cartels benefiting elites.” The HDC chairman described the corporation as a “sick cow riddled with ticks” while discussing the non-renewal of contracts for 26 employees. He denied reference to them. Let us not forget that fired CEPEP workers were labelled as “collateral damage,” independent senators were called hypocritical, self-promoting bootlickers and brown-nosers, the President of the Republic a low-level PNM functionary, the country, a lawless dump aka garbage. Not to be outdone, Minister Phillip Alexander said Carenage is a “s******e.”
He criticised Westmoorings members, telling them they voted for potholes when they supported MP Hans Des Vignes in the April 28 General Election, and, most recently, the Government termed calypsonians “political stooges masquerading as calypsonians.” Succinctly put, disagree with the Government at your reputational risk. Authoritarianism? Perhaps, the outer context of the muted mic.
It gets worse. The Minister of Homeland Security advocates for a law to restrict free speech, targeting citizens who criticised police actions after a video showing the controversial killing of Joshua Samaroo. That followed an earlier failed attempt to have the US revoke visas of citizens based on their social media activity. He doesn’t stop there; he rejects strengthening the “investigative” powers of the Police Complaints Authority, saying the police, rather than “an independent body”, should be entrusted with legislative authority “to discipline” police officers—confusing “investigative” powers with “disciplinary powers.” In virtually every democratic country, an independent civilian authority investigates serious police allegations.
“Doh Forget” – If your politics start to look untrue
Juxtapose all the above against the Prime Minister’s remarks at the ceremonial opening of Parliament, when she said our citizens have chosen “healing over harm, they have chosen compassion over contempt, they have chosen inclusion over elitism, and they have chosen accountability over interference.” In her inaugural speech, she said, “… be sympathetic, love one another, be compassionate and humble. Do not repay evil with evil or insult with insult.” That is the kind of contradiction that causes the public to lose trust in government. Helon sang, “If yuh politics start to look untrue / If yuh own voters losing trust in you / You could do what you want … / Yuh could bad talk the Independent Bench / Yuh could change the country that we once know / But doh forget, this is Trinbago.”
“Doh Forget,” he sang, “Ah study to run when I scope out my country / Ah want’ buy a gun / Cause daiz wha dey promise we / A lot’s goin on in de sun / So I come here to bring wisdom / So we doh burn down we lovely society / See a new government has de assignment / To put we country into alignment / But every time dey read us wid their ego / Is the vulnerable feeling dat blow / Lord, is it ignorance? / Or is it arrogance? / I doh know what to call it in this instance / Look a paradise right in front we eyes / But we still want to talk about who we despise … Tell me, tell me where else we can go / If we start to mash up the good things we know? … We treat traditions like pappyshow / You could fix everything ‘pon we island / Put gunship on we back like a tyrant / You could put in radar all up Scarborough / But don’t forget dis is Trinbago … Yuh could try to stop social media / Or de taping of police murders / Yuh could rewrite a bill like de ZOSO / But doh forget / Dis is Trinbago …”
As expected, some commentators said that political calypsos, aka anti-government ones, occur more under the UNC Government. Research will dispute that. For the 46 years of the PNM government, its leaders and ministers have been mercilessly lampooned by calypsonians with themes of mismanagement, corruption, arrogance, and oppression, from the Mighty Sparrow’s “No Doctor No” in 1957 to the spate over the past ten years.
Helon Francis’s song isn’t in the waist-breaking tempo, with melodic sing-along lyrics, and the hilarious double entendre of the masters. Nevertheless, it’s rooted in the tradition of speaking truth to power. In an intense style, he reminds leaders and citizens alike not to forget who we are as a people. “Doh forget, this is Trinbago!” It’s a declaration of our identity. He acknowledges that he “knows the good intentions we Prime Minister have for we,” and speaks to the distrust of leaders that shifts political alliances, inferring public frustration with governance, political behaviour, and the increasing cost of living. When he says, “if yuh politics start to look untrue,” he’s telling us that our leaders are drifting from their promises. Loyalty is not unconditional, and people remember. He mentions the Independent Bench, which suggests that all the political manoeuvring, attacking or dismissing independent institutions won’t erase public awareness of what’s taking place …“Doh forget this is Trinidad and Tobago.”
Helon’s Calypso is worthy of another listening. Doh Forget.
