With a call to return to spirituality amid the country’s escalating crime situation, some of the nation’s leading gospel artistes came together last Tuesday to encourage citizens to live for Jesus Christ before it is too late. Their pulpit was an unlikely one: the We Outside podcast, hosted by Yung Bredda alongside DJ Hotty and Jamie, marking a first for live gospel performances on the popular platform.
Artistes Jaron Nurse, Bj’orn Pierre, Nathanael, Marc Isaacs, Blessed Messenger and Farenite took to the virtual stage, transforming the studio into an uplifting two-hour praise and worship session, delivering hits from their respective catalogues.
While the session has already racked up thousands of views online, the impact was most profound for Yung Bredda himself. The Greatest Bend Over singer admitted that the experience encouraged him to examine his own spiritual walk.
“What I took away from it was that I want to get closer to God. My job takes a lot of time away from me, but I always meditate and say a prayer. It showed me that I need to take more time for God. And as much as He is blessing me, I wanna give more of myself,” he told Guardian Media.
He confessed that he has long-held feelings about shifting his content to something more positive, vowing to eventually make good on that promise. “I know my music will change for the good and it will be permanent. My mind been telling me that. Some people will say, ‘He always talking about God and look at what he singing.’ But only the Father knows my heart. Nothing happens in a day. I have to take my time, day by day, and I believe that I will get there soon.”
The host also expressed gratitude for the artistes’ approach, noting that they did not treat the appearance as a “booking opportunity”, but respected the platform and its mission. “They didn’t scorn us or treat us differently,” he said.
The idea for the gospel night came from Jesse John, Yung Bredda’s manager and owner of Optimus Productions. It was a concept the artiste immediately endorsed.
“I thought it was a good idea because of the crime situation. A lot of youths are dying. In this generation, we need to remember God a little bit more,” Yung Bredda, a Spiritual Baptist, explained. “A lot of people look at my team, and because we do dancehall, soca and zess, people miss the point. We always take time to remember the Creator who gave us the knowledge to do everything and remember where He brought us from. I come from a spiritual family. I know there is one true and living God.”
Fans embraced the positivity. “Proud of you Bredda. This is what our youths need,” said one commenter on the We Outside YouTube page. “Heart was so heavy this morning I needed this worship. Thank you,” another said. However, some questioned whether gospel artistes belonged in such a secular space, asking if the platform was a “holy” enough ground for worship.
Jaron, who performed Fed Up, Tell Somebody, Caution Tape, and his latest offering, Step, said the session aimed to highlight that “Jesus is for everybody” and that Christianity is not boring.
“A lot of people limit gospel to a genre but gospel is simply the message,” he said. “That’s why we have gospel rock, gospel rap, gospel reggae, gospel soca. The message of Jesus don’t ever change. Sometimes we change the method.”
Marc Isaacs echoed similar sentiments, stating that “the good news” is not confined to the four walls of the church. Singing Validate, Mercies Cyah Done and Open d Gate, he said he wanted viewers to leave with a message of hope, peace and love.
“Some people looking at the recording might be the first time they encounter the message of Jesus Christ, and to me that’s a win—to reach the people that may not be in places or spaces or events that are predominantly gospel themed,” he stated.
According to Nathanael, the platform provided an opportunity to share faith through music in a way that addressed the country’s current climate. He ministered with songs such as Who God Bless, Appointment and The Message.
“The Bible says we are in the world, but not of the world. That speaks to position and composition; where we are versus what we’re made of,” he explained. “I see music as a conversation. Whether that conversation happens at school, on public transport, at work, in church, or on a podcast, it’s still an opportunity to speak about God. That’s all this was.”
The energy remained high throughout the night, with visible camaraderie on set as the performers took turns introducing and supporting one another before taking the microphone during the podcast’s 87th edition.
A gospel artiste and pastor of almost 13 years, Farenite said people need to be reminded that, in spite of life’s difficulties, there is restoration and peace in Jesus Christ. Performing Still Standing, Boldface and Freedom Is Mine, he drew on a biblical principle to describe the collaboration.
“As the salt of the earth, I’ve never seen salt fulfil its purpose, separated from the element in which it needs to be added,” he explained. “I see my role as ensuring that the gospel message is clear while maintaining a balance of love and righteousness. Keeping in mind that Jesus came full of grace and truth—sent not to condemn the world, but that the world might be saved through Him.”
Both Bj’orn Pierre and the Tobago-born Blessed Messenger said the platform was necessary for the “modern mission”.
“This is the purpose for which God’s message was created: to be shared to all the world. It is our duty to go into secular spaces, not to be conformed, but to shine our light that all men may be drawn unto the Giver of light, Jesus Christ,” said Bj’orn, who delivered Put It In D Music, Touch Not My Anointed and No Spirit of Fear.
Singing Never Fail Me Yet, Famalay and Yuh Mek a Way, Blessed Messenger added, “We can’t keep Jesus to ourselves; everybody deserves a chance at heaven. We must come out of the church and evangelise. The Bible says to go ye into all the world and preach the gospel. Some people will never enter a church so we have to come to them.”
The podcast ended with Jaron’s Gunman, a hard-hitting track which calls out the criminal element for the role they play in the country’s unravelling.
