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Tuesday, May 20, 2025

First-time Ca­lyp­so Monarch:

Allen too bright for rivals

by

20100215

"The ball has been passed." That was reign­ing monarch Kurt Allen's re­sponse to his vic­to­ry at the Di­manche Gras com­pe­ti­tion at the Queen's Park Sa­van­nah, Port-of-Spain, on Sun­day night. Singing in po­si­tion num­ber 15, Allen sang Too Bright and won the judges' nod, be­com­ing Ca­lyp­so Monarch 2010 and earn­ing $500,000.�Allen's gal­lant ef­fort with a song he wrote de­feat­ed vet­er­an bard Dr Hol­lis Liv­er­pool, who was mak­ing a bid for his eighth ti­tle with When Mas Is Mas.�"The ball has been passed. Cro Cro called me just be­fore I went on stage and said, 'Pass pass the ball.' The ball has been passed," said Allen.�He is a mem­ber of the Icons Tent, man­aged by We­st­on Rawl­ins, fond­ly known as Cro Cro.

"Af­ter I won, he called me and con­grat­u­lat­ed me. He said, 'The ball has in­deed been passed'," added Allen. Shar­ing in his vic­to­ry were his wife Fa­bi­enne and his daugh­ter Choc'lat, 16.�Allen said Cro Cro's words of en­cour­age­ment "meant a lot."�"My style has been tai­lored to Cro Cro's, Stal­in's and Chalk­dust's. When he called and chal­lenged me to pass the ball, that gave me an ex­tra boost to go on that stage. He told me what to do and how to pre­pare my­self," said Allen, who is in his 30s.�The pi­cong and com­pli­ments about pass­ing the ball stemmed from his bid for Di­manche Gras ho­n­ours in 1997. "When I sang Pass The Ball, I in­vit­ed David Rud­der,�the late Pre­tender, Mighty Strik­er (first of­fi­cial recog­nised Ca­lyp­so Monarch) to come on stage," he said. The gist of the song was it was time for the el­ders of the art form to give the younger ones a chance to ex­press them­selves and ex­cel. He al­so reg­is­tered his re­spect for the con­tri­bu­tion these gen­tle­men made to the art form. �

Allen placed eighth that year. But he quick­ly beat a re­treat to the so­ca dens to sing with Roy Cape.�But the call of so­cial/po­lit­i­cal com­men­tary beck­oned. It came home to roost in 2010. "I had to write about the stu­pid de­ci­sions that lead­ers make as op­posed to what peo­ple would like to see. There is a per­cep­tion the lead­ers don't like to lis­ten to the peo­ple. I want­ed to give the small man a voice," he said.�Allen de­scribes his song as not be­ing an­ti-gov­ern­ment or an­ti-PNM. The song boasts a mar­riage of good-na­tured satire and irony.�"Too Bright. It is just about look­ing at lead­ers who are sup­posed to be in­tel­li­gent and ex­am­in­ing the dumb things they do. Too Bright (like Palance) is al­so di­alect. It is a cliche. Peo­ple know the say­ing 'Too Bright'," said Allen.�

Uni­ver­si­ty of Wood­ford Square�

In his the­atri­cal pre­sen­ta­tion, Allen de­pict­ed the Uni­ver­si­ty of Wood­ford Square with a back­drop of the Red House–the seat of the gov­ern­ment and the op­po­si­tion. The late Dr Er­ic Williams had de­clared it a 'uni­ver­si­ty' since cit­i­zens met there to dis­cuss cur­rent is­sues and even scrib­ble their views on a chalk­board.�"We were de­pict­ing Wood­ford Square. A lot of peo­ple have the per­cep­tion that it is on­ly mad peo­ple and va­grants there. But I want­ed to get across the idea that nor­mal peo­ple al­so fre­quent there. It is up to the Par­lia­ment to lis­ten to the voice of the peo­ple," said Allen. On a nor­mal day, Je­ho­vah Wit­ness­es ply their mag­a­zines.

Sit­ting on a bench, vi­o­lin­ist Stan­ley Roach had re­lo­cat­ed from the ma­jor tran­sit hub at City Gate. Armed with pro­tein gi­ants, the nuts man put in an ap­pear­ance. Hand in a sling, even Kam­la Per­sad-Bisses­sar and Jack Warn­er evoked laugh­ter from the crowd.�While Allen's grad­u­a­tion garb cost a for­tune, his cos­tum­ing on Di­manche Gras cost a mere $25. "I made use of old stuff. I cut an old T-shirt and pants I had. Stuff I used to sleep. It cost about $25," said Allen. The set was built by Ra­jesh Ram­lal and the artis­tic di­rec­tor was Wen­dell Eti­enne. Kur­tis Gross played Prime Min­is­ter Patrick Man­ning. Allen was not afraid to give him a clout and send him to Wood­ford Square to hear–and, hope­ful­ly, heed the voice of the peo­ple.


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