Part 4 of 4
Nasser Khan
This final instalment is tinged with great joy and great sorrow. Joy in the celebration of Olatunji Yearwood’s success in the widely acclaimed TV shows The X Factor in taking calypso and soca to the world and sad because of the death of one of our greatest calypsonians, The Mighty Shadow.
Calypsonian genius and legend, former Road March (1974, Bassman, and 2001, Stranger); Calypso Monarch (2000, Scratch Mih Back, What’s Wrong With Me); and Soca Monarch (2001, Stranger) winner Winston Bailey, Dr The Mighty Shadow, was conferred with an honorary doctorate by UWI over the past three days, posthumously. Sadly, he succumbed to his illness and died at the age of 77 on Tuesday morning (October 23, 2018) prior to receiving the honour.
Shadow has left us with a body of works that few have paralleled and fewer have surpassed. His unique stage styling, jumping to the tempo of his music in skipping-rope style, would forever be remembered and emulated. No one else has captured all three coveted titles which are quite an amazing achievement.
Many of his lyrics were sheer genius, philosophical and soul-searching. For example, One Love (1982): I like to see, A world of unity; Peace, equality throughout humanity; Peacefulness, happiness, and togetherness; I would like to see the day when love would come to stay.
There was Poverty is Hell (1994): Poverty is hell, Poverty is hell; Wake up in the morning and the baby cry, The sugar pan empty, the milk bottle dry.
Even the highly political Snakes in the Balisier (2015): https://www.youtube.com/watch?v=s_AxYZS8SQU.
He also gave us classics like Everybody is a Somebody (‘Nobody is nobody’); I Come out to Play; Tension; The Garden want Water; What is Life; Feeling de Feeling; My Belief; Yuh Looking for Horn; Pay de Devil; and Dingolay.
In this the 4th and final in the series ‘By Calypso our Stories are Told’, October being Calypso History Month, we look at some other memorable calypsoes that have been recorded in song, significant events in our nation’s history in a way only our calypso art form can...that unique story-telling blend of poetic and often prophetic lyrics, melody and rhythms.
Lord Blakie: Steel band Clash, Road March 1954:
It was ah bacchanal, 1950 Carnival, Fight fuh so, With Invaders and Tokyo…Invaders beating sweet, Coming up Park Street, Tokyo coming dong beating very slow, And friends when the two bands clash, Mamayo if yuh see cutlass, Never me again, To jump in ah steel band in Port-of-Spain…
Lord Brynner: Riot in the Oval, 1960:
Don't doubt me, don't doubt me, Because ah saying what ah see, At the Test match in the Queen's Park Oval, Right after the tea interval, From the time Charran Singh get run out, Ah don't know where all those bottles come...
Lord Kitchener, One to Hang, 1973:
The saga that surrounded Abdul Malik (Michael de Freitas, Michael X), Stanley Abbott, Adolphus Parmesar, and Edward Chadee, in the murder/slayings of Gale Anne Benson and Joseph Skerritt in 1972,
Trouble in the back of Arima, so the papers say, Four tesses involved in a murder just the other day, One fella view the situation like thing getting brown, He decided to throw in the sponge and turn witness for the crown. Parmesar, they say you too congosa…
Roaring Lion, Visit of His Holiness Pope John II, 1985:
The visit of His Holiness will ever be, Indelibly written in our memory, For His visit will most certainly, Herald a new epoch in our history. So flash the news around, by telegram and radio, He has visited, the "Land of Calypso", Let it be known, we're proud and glad, To welcome Pope John to Trinidad…
This series is courtesy First Citizens.
Nasser Khan, author of “Heroes, Pioneers & Role Models of Trinidad & Tobago” (free download at www.safaripublications.com/firstcitizenstt/heroesprofilestt/)...features pioneering calypsonians in the chapter Culture and the Art. Also “History of West Indies Cricket through Calypsoes”…lyrics of over 200 cricket-themed calypsoes from 1926 onwards, and many newspaper and magazine articles on calypso, mas, steelpan, and cricket. Email: nkhantt@gmail.com