Senior Reporter
jesse.ramdeo@cnc3.co.tt
Young voices, big confidence, and plenty calypso swagger filled the Radisson Hotel, Port-of-Spain, yesterday as the National Junior Calypso Monarch semi-final struck all the right notes.
From the moment the curtains went up, the venue buzzed with youthful energy. On stage, young performers confidently grabbed the microphone, delivering sharp lyrics and animated performances well beyond their years. Backstage, it was a different kind of rhythm- nervous laughter, last-minute rehearsals, quiet humming, and mentors offering final words of encouragement as competitors waited for their turn to shine.
The Trinbago Unified Calypsonians’ Organization (TUCO) event featured 30 young calypsonians drawn from primary and secondary schools across the country, all vying for a coveted place in the finals. With only 15 spots available, the competition was fierce but friendly, as 21 participants from Trinidad and nine from Tobago each brought their own style, stories, and stage presence.
Hovering over the semi-finals was the challenge of dethroning reigning Junior Calypso Monarch Xhaiden Darius, a feat every young performer clearly had in mind as they stepped into the spotlight.
Speaking with Guardian Media, Thora Best, former chairperson of the Junior Calypso Committee, described the competition as far more than just a singing contest, hailing it as a proven incubator for talent over the last half-century.
“I have seen shy, withdrawn children change for the better, become confident, self-assertive young people,” Best said. “And the Junior Calypso Committee has become very proud of what we have witnessed. “This artform, it is not just about singing Calypso, because not all of us can get on a stage and command the audience and so on. So we are proud of what has happened over these 50 years.”
Among the hopefuls was 13-year-old Kacique Wilson, a student of Queen’s Royal College, who said Calypso has played a major role in shaping who he is today.
Calm but focused, Wilson shared his optimism about advancing to the finals, crediting the artform for helping him develop confidence, discipline, and a strong sense of “identity”, which happened to be the title of his song.
“We are losing our identity, cultural heritage and what not. It was really to open the eyes of the public and say ‘hey, we are losing what we have built over the years, we are losing it’.”
Wilson also carries a proud legacy, he is the grandson of four-time Calypso Monarch Weston “Cro Cro” Rawlins. But yesterday, he made it clear he was carving his own path, one verse at a time.
