Senior Reporter
kevon.felmine@guardian.co.tt
National Carnival Commission (NCC) chairman Peter Kanhai says there were no discussions with organisers of the Ultimate Soca Champion (USC) before the 2026 edition of the competition was shelved due to a lack of funding.
Speaking with Guardian Media yesterday, Kanhai confirmed that the event’s organisers formally wrote to the Ministry of Culture and Community Development and copied the NCC on the correspondence.
As a result, he said, any decision on funding would have had to originate from the Ministry of Culture.
“We have not had any meeting or discussion with the promoters, so I do not know about funding from the ministry. The NCC also has to go through the ministry to get funding as well. The funding that is allocated to the NCC has to go through the ministry (Culture) to get the Ministry of Finance to make the releases,” Kanhai said.
Contacted for a comment on the matter, Minister of Culture and Community Development Michelle Benjamin requested that questions be sent to her mobile phone.
Although the questions were submitted, no response was received up to press time.
The Ultimate Soca Champion, introduced for Carnival 2025, was conceived as a new competitive platform for emerging soca artistes at a time when the International Soca Monarch competition had not returned. Unlike its predecessor, the USC featured a single unified title rather than separate Power and Groovy categories, a format that organisers said was intended to modernise the competition and broaden its appeal.
The inaugural event generated significant local and international attention.
Grenadian soca artiste Wrenroy “Blaka Dan” Ogiste captured the overall title in 2025, earning the grand prize of $1 million with his performance of Blessing.
Nkosi “Sucre” Sucre won the Youth Category, performing his song The Greatest at Queen’s Park Savannah in Port-of-Spain. He secured the top prize of $200,000, becoming the first-ever Youth Soca Champion.
Organisers later reported that the competition delivered tangible career benefits for several performers, including securing band placements, producing hit songs and facilitating high-profile collaborations. Despite those gains, the event will not be staged for Carnival 2026 after organisers were unable to secure funding within the required timeframe.
Founder and producer Jerome “Rome” Precilla said approaches were made to both the Ministry of Culture and Community Development and the NCC.
However, he said no response was received before the production window closed.
He said the competition will return in 2027, hopefully with the backing of public and private sector partners.
