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Monday, June 23, 2025

Promoter unable to stop Burna Boy show

by

Joel Julien
919 days ago
20221216
Nigerian singer Burna Boy performs during the Tobago Music, Arts and Culture Festival (TOMAC) concert at the Plymouth Recreation Ground, Tobago, in October.

Nigerian singer Burna Boy performs during the Tobago Music, Arts and Culture Festival (TOMAC) concert at the Plymouth Recreation Ground, Tobago, in October.

VINDRA GOPAUL-BOODAN

The Bur­na Boy Live con­cert pro­ceed­ed as planned last night in the face of a le­gal back and forth be­tween two sets of pro­mot­ers.

The gates for the o2Park in Ch­aguara­mas opened around 5 pm to make way for pa­trons for the show that was sched­uled to be­gin at 9 pm.

The Gram­my Award-win­ning Niger­ian artiste ar­rived in T&T on Thurs­day night for his sec­ond con­cert in T&T in a mat­ter of weeks.

On Wednes­day, Mari­ka Trim, the at­tor­ney for Cash Mon­ey Broth­er Pro­mo­tions, is­sued a pre-ac­tion pro­to­col let­ter to Twist­ed En­ter­tain­ment Bar­ba­dos, Cae­sar’s Army, SM Pro­mo­tions, Duke Con­cept and Unit­ed Tal­ent Agency over the mat­ter.

Trim threat­ened ac­tion for breach of con­tract, al­leg­ing the pro­mot­ers of last night’s event con­spired against her client, who was ini­tial­ly in a part­ner­ship with them, to stage their own event.

In re­sponse a let­ter, how­ev­er, at­tor­ney Vikash In­dar Lala said the in­for­ma­tion pro­vid­ed in the pre-ac­tion pro­to­col let­ter, cou­pled with the threat of an in­junc­tion, was “vague, un­par­tic­u­larised and ex­treme­ly un­fair to my client in all of the cir­cum­stances.”

“My client can­not be ex­pect­ed at this stage to an­swer broad and sweep­ing al­le­ga­tions con­tained in a des­per­ate let­ter which seems to have no log­i­cal co­her­ence and adorned on­ly with an un­la­belled and un­ex­plained bun­dle of doc­u­ments,” the let­ter stat­ed.

“The al­le­ga­tions you have made are ex­treme­ly se­ri­ous, and one would have ex­pect­ed you to have prop­er­ly set out clear par­tic­u­lars and the facts and doc­u­ments up­on which you re­ly. In­stead, what we have been met with is a con­fus­ing let­ter which is re­gret­tably short of the stan­dard which is re­quired for fair Pre-Ac­tion cor­re­spon­dence.”

Lala said in the cir­cum­stances and out of an abun­dance of cau­tion, he was deny­ing all of the al­le­ga­tions made in the let­ter, in­clud­ing “those al­le­ga­tions re­lat­ed to the al­leged loss of your client’s rep­u­ta­tion and ex­pect­ed prof­its.”

Lala said the threat of lit­i­ga­tion had been wide­ly pub­li­cised and this im­pact­ed neg­a­tive­ly on the pace of tick­et sales and caused con­cern amongst all par­ties, ser­vice providers and stake­hold­ers of the con­cert.

“What is in­ter­est­ing to note is that your client had wait­ed un­til the eve of the event to send your cor­re­spon­dence, and has nev­er once in­di­cat­ed there­in when the mat­ters of which he com­plains about first came to his at­ten­tion,” Lala stat­ed.

As such, Lala said the show would go on de­spite the des­per­ate threats of an in­junc­tion.

“My client will re­sist stren­u­ous­ly any at­tempt by yours to move the Court to stop the con­cert, when all arrange­ments have been put in place. To do so will be to ex­pose my client and oth­ers to sig­nif­i­cant dam­ages and fi­nan­cial loss,” he stat­ed.


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