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Sunday, July 6, 2025

The fire last time

by

20150323

To­day marks the an­niver­sary of the Wa­ter Ri­ots of 1903, when the Red House was fa­mous­ly set on fire. What led to the ri­ots? And what re­al­ly hap­pened to the Red House that day?

One hun­dred and two years ago to­day, the Red House went up in flames, in one of the se­ries of dra­mat­ic events that have punc­tu­at­ed its long his­to­ry.

Like the coup at­tempt of 1990, the Wa­ter Ri­ots of 1903 end­ed with nu­mer­ous deaths and in­juries, but in this case they were in­flict­ed by the colo­nial au­thor­i­ties, not the in­sur­gents. The ri­ot­ing be­gan not as an at­tempt to over­throw the gov­ern­ment, but as a protest over a not un­rea­son­able plan to charge peo­ple who lived in the city for the wa­ter that they used in vast quan­ti­ties.

In March 1903, irate res­i­dents of Port-of-Spain gath­ered out­side the Red House as a Wa­ter Or­di­nance was de­bat­ed in­side the coun­cil cham­ber.

The Ratepay­ers' As­so­ci­a­tion had been ag­i­tat­ing since the pre­vi­ous year against the plan to in­tro­duce wa­ter me­ters.

The new or­di­nance had been read on March 5, and de­bate was sched­uled for March 16, but was post­poned un­til March 23 be­cause vis­i­tors in the pub­lic gallery had dis­rupt­ed the pro­ceed­ings.

The Gov­er­nor, Al­fred Moloney, seek­ing to avoid fur­ther dis­tur­bances, achieved ex­act­ly the op­po­site by rul­ing that on that oc­ca­sion spec­ta­tors must ob­tain tick­ets for ac­cess to the pub­lic gallery.

The rest of the dis­grun­tled crowd demon­strat­ed out­side, in Brunswick Square–and then things got out of hand.

Not the first ri­ots

These were not the first ri­ots out­side the seat of gov­ern­ment. Half a cen­tu­ry ear­li­er, in Oc­to­ber 1849, there had been protests out­side the build­ing over a gov­ern­ment de­ci­sion to change the way debtors were treat­ed: at that pe­ri­od they could be jailed, but un­til then were not treat­ed like com­mon crim­i­nals. Now, how­ev­er, it was ruled that they must have their heads shaved and wear prison uni­form.

Those ri­ots were cool­ly han­dled by the Gov­er­nor, the in­tre­pid Lord Har­ris, who spent a night un­der siege in the build­ing, which was guard­ed by troops. Apart from some bro­ken win­dows, the build­ing was un­dam­aged. A num­ber of ri­ot­ers were ar­rest­ed; by one ac­count, one per­son was shot dead, while an­oth­er says three were wound­ed. Har­ris lat­er par­doned those who had served part of their jail terms for ri­ot­ing.

A chron­i­cler of the time, the civ­il ser­vant Daniel Hart, al­so not­ed: "Af­ter the af­fray Lord Har­ris had caused to be col­lect­ed all the stones that had been thrown in­to his of­fice which he placed in a tray with the fol­low­ing good-hu­moured in­scrip­tion: 'A Memo­r­i­al from the in­hab­i­tants.'"

Shaky start for the seat of gov't

The cor­ner­stone of the build­ing had been laid five years ear­li­er, the pre­vi­ous, de­crepit gov­ern­ment build­ing on the site hav­ing been torn down. But the new one bare­ly got off the ground at all–or rather, near­ly didn't stay up once it had been start­ed.

The new gov­ern­ment build­ings were de­signed by the Su­per­in­ten­dent of Pub­lic Works, Richard Brid­gens, who, al­though he de­scribed him­self as an ar­chi­tect, had nev­er ac­tu­al­ly de­signed an en­tire build­ing be­fore.

In the first 20 years of his ca­reer, in Eng­land, Brid­gens had spe­cialised in fur­ni­ture (and in­deed be­came one of the most in­flu­en­tial de­sign­ers of the Vic­to­ri­an age); but since be­com­ing Su­per­in­ten­dent of Pub­lic Works in 1831 he had been con­fined to over­see­ing road­works and re­pair­ing pub­lic build­ings.

Brid­gens seems to have tried to de­sign a suit­ably dig­ni­fied seat of gov­ern­ment in an aus­tere clas­si­cal style; but thanks to his in­ex­pe­ri­ence, in­com­pe­tent or cor­rupt con­trac­tors, and lack of funds, his build­ing was not fin­ished for half a cen­tu­ry, and un­til then didn't turn out as he in­tend­ed.

On No­vem­ber 21, 1846–in the week Brid­gens died–the Trinidad Spec­ta­tor not­ed in an ed­i­to­r­i­al that lit­tle progress had been made for some time. This was be­cause the main beams were not strong enough to sup­port the roof, and work had come to a stop while a so­lu­tion was sought to avoid its com­plete col­lapse.

In the next is­sue of the pa­per, a pseu­do­ny­mous let­ter to the ed­i­tor sug­gest­ed there had been cor­rup­tion in award­ing the con­tract to a builder who was favoured by the Gov­er­nor.

The in­sin­u­a­tions in a fol­low-up ed­i­to­r­i­al had a hor­ri­bly mod­ern ring: "Ru­mour whis­pers that there has been some­thing sin­gu­lar­ly like job­bing or un­wor­thy favouritism con­nect­ed with these build­ings; that the low­est ten­der was not ac­cept­ed; and that there was a shuf­fling at­tempt at se­cre­cy with re­gard to the ac­cept­ed ten­der, un­wor­thy of any pub­lic body."

The let­ter-writer al­so com­plained that al­though the build­ings were orig­i­nal­ly es­ti­mat­ed to cost �16,000, in the event the walls alone had cost more than �8,000, the roof and up­per floors had been con­tract­ed at $38,000, and the fin­ish­ings would cost $36,000 more.

But in 1848 Gov­er­nor Lord Har­ris an­nounced that the Trea­sury was vir­tu­al­ly emp­ty. The new gov­ern­ment build­ing was still un­fin­ished, but Har­ris opened it any­way.

All the de­scrip­tions from that pe­ri­od agree it was not an im­pres­sive build­ing. The Trinidad Spec­ta­tor grum­bled in 1846 that it looked like a prison or a fac­to­ry. An­oth­er com­men­ta­tor com­pare it to the boil­ing house on a sug­ar es­tate.

There are ex­tant pic­tures of this first ver­sion of the Red House, in­clud­ing Michel Jean Caz­abon's on-the-spot sketch of the Oc­to­ber 1849 ri­ot–the equiv­a­lent of a news­pa­per pho­to to­day–drawn for the Lon­don Il­lus­trat­ed News. Crowds are fling­ing stones, while an im­pas­sive line of troops, armed with can­non, is drawn up around a small, plain build­ing in two halves. It is far ugli­er in pho­tos, which show two grim, squat build­ings of un­plas­tered brick, with Prince Street run­ning be­tween them.

Nev­er­the­less, no fur­ther work was done on the build­ing un­til the 1890s, when it was ex­pand­ed and al­tered. It be­came known as the Red House in 1897, when it was paint­ed an ec­cen­tric shade of rose mad­der to mark Queen Vic­to­ria's di­a­mond ju­bilee.

The ar­chi­tect John Newel Lewis sur­mised that Daniel Hahn, the Chief Draughts­man of the Pub­lic Works, who re­stored the Red House on the same site af­ter the fire, may al­ready have added some de­tails at this point.

"It ap­pears," he sug­gests in his book Ajoupa, "that Brid­gens' plans could have been used af­ter all, or, more like­ly, Hahn had al­ready added his front be­fore the fire." By this time the build­ing had be­gun to look at­trac­tive.

Pres­sure builds up to Wa­ter Ri­ots

Then came the Wa­ter Ri­ots, the cul­mi­na­tion of decades of dis­agree­ment. Since pub­lic stand­pipes in the city were re­placed by pipe-borne wa­ter in the mid-19th cen­tu­ry, peo­ple had felt en­ti­tled to use as much wa­ter as they want­ed–and that was a lot. Dr Er­ic Williams not­ed in his 1962 His­to­ry of the Peo­ple of T&T, "A char­ac­ter­is­tic of Trinidad life, then as now, was an enor­mous waste of wa­ter, which seemed to be greater the more abun­dant the sup­ply."

In 1874, he record­ed, with a pop­u­la­tion of 25,000, 1 3/4 mil­lion gal­lons had to be de­liv­ered dai­ly in Port-of-Spain, more than twice the al­lowance per capi­ta of Lon­don. So it was sug­gest­ed that me­ters and oth­er ways of pre­vent­ing wastage should be in­tro­duced.

In­stead, sev­en years lat­er an in­ves­ti­ga­tion re­port­ed a dai­ly sup­ply of two mil­lion gal­lons was be­ing pro­vid­ed for a pop­u­la­tion of 32,000. The com­mit­tee said this was far more than was ac­tu­al­ly need­ed, and a third of it was wast­ed "ei­ther through care­less­ness or ne­glect."

Nar­row­er pipes were in­stalled to re­duce the flow of wa­ter, but that didn't help be­cause house­hold­ers sim­ply left their taps run­ning con­stant­ly.

When de­bate be­gan on the or­di­nance to in­tro­duce me­ters and charge peo­ple for the wa­ter they used, the crowd out­side the Red House boiled over. Bot­tles and stones be­gan to fly, win­dows were smashed and the leg­is­la­tors had to duck for cov­er. The au­thor­i­ties read the Ri­ot Act and called in the troops, as well as the forces from two Roy­al Navy ships. Some of the ri­ot­ers were killed and many in­jured–Williams cites the find­ings of a sub­se­quent com­mis­sion of en­quiry that 16 peo­ple died and 43 oth­ers were treat­ed at hos­pi­tal.

Some­where in the melee, ri­ot­ers broke in­to the build­ing and set fire to it. Williams says, as did lat­er com­men­ta­tors such as Ol­ga Mavro­gorda­to and Newel Lewis: "The Red House was burnt to the ground."

But it wasn't. The fire passed in­to a pop­u­lar say­ing–to "last longer than the Red House fire"–but as that say­ing sug­gests, it didn't last long, no doubt thanks to the fire­men sta­tioned next door on Hart Street.

There are pho­tos from 1903 that show the build­ing wreathed in smoke, and then af­ter the fire–still stand­ing. The win­dows, the floors and the roof beams went up in flames, but the struc­ture re­mained. The de­bris was re­moved and used as land­fill in Lord Har­ris and Vic­to­ria Squares. Daniel Hahn was called in and over­saw the restora­tion of the build­ing, adding em­bell­ish­ments that in­clud­ed the cen­tral ro­tun­da join­ing the two halves of the build­ing, and the elab­o­rate and beau­ti­ful Ital­ian stuc­co ceil­ings in the north­ern and south­ern cham­bers.

The build­ing was re­opened by Gov­er­nor Sir Hen­ry Jack­son in 1907. But the Red House of to­day, lan­guish­ing un­der its makeshift shed roof and be­hind its gal­vanised fence, is old­er than that: it's es­sen­tial­ly the build­ing whose cor­ner­stone was laid by Gov­er­nor Sir Hen­ry McLeod in Feb­ru­ary 1844. Fire, wa­ter, ri­ots, re­volt and ne­glect; the Red House has with­stood them all, for more than a cen­tu­ry and a half.


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