Residents decked out in their Sunday best enjoying a stroll along the main street in front of what could easily be the main community hall majestically standing out from the other buildings - it is a signature scene of local art, but one with James “Jim” Armstrong’s own special interpretation, which he has termed as “indigenous impressionism.”
Specifically, it is a fusion of a style perfected by European impressionists and the essence of Trinidad and Tobago heritage, culture and society. This is an example of the works that will be on display during Armstrong’s Innovations in Art exhibition which will be staged at the Art Society of T&T, 3-7 St. Vincent Avenue, Federation Park, from July 15 to 19.
Visitors to this show will also be exposed to the artist’s penchant for abstract imagery, which is typified by his blurred recreations of African-type dancers that are infused with techniques communicated by his mastery of movement: a methodology that Armstrong has perfected over a period of six-plus decades in art.
In addition, there will also be his newest copper and aluminum creations within the same space.
Armstrong’s career includes his first solo exposition in 1965 in his native Tobago and it is one that eventually branched out towards international shows across Africa – where he lived for several years – Europe, the Americas and the Caribbean.
This latest show, which will be his eleventh since his return to T&T in 2000, will involve a two-hour official opening from 6 to 8 pm on July 15 at the Art Society, where it will operate from Tuesday to Friday, 12 pm to 6 pm, until the event’s final day on July 19.
Those interested in a private viewing of the works can send a WhatsApp message to Dulcie Nieves via 686-7943 or send an email to dulcie.nieves@gmail.com
Artist Statement
I began painting in Tobago as a child, inspired by my grandmother, “Teacher Willie.” In 1961, I co-founded the Tobago Art Group and held my first solo exhibition in 1965.
My studies in design and architecture took me abroad and a career with the United Nations allowed me to live, paint and exhibit across the globe.
Since returning home in 2000, I’ve focused full-time on my art, exploring movement, texture, and colour. My recent work includes experiments on copper and coated aluminum, blending traditional style with contemporary technique.
In 2024, I was honoured with the Hummingbird Medal (Gold) for contributions to Art and Public Service.