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Monday, July 28, 2025

Prof Teague debuts Sorcerer at university

by

1371 days ago
20211025

On No­vem­ber 6 at 2 pm, Pro­fes­sor Liam Teague will of­fer his third fac­ul­ty recital in a decade, as a pro­fes­sor at North­ern Illi­nois Uni­ver­si­ty (NIU). It is livestreamed world­wide at https://www.niu.edu/mu­sic/per­for­mances/in­dex.shtml. It is a rare op­por­tu­ni­ty to hear one of Trinidad’s great­est pan­nist in a va­ri­ety of set­tings and per­form­ing unique new mu­sic for the in­stru­ment, by a wide va­ri­ety of com­posers and with dif­fer­ent ac­com­pa­ni­ment.

Teague is the pro­fes­sor of mu­sic and head of steel­pan stud­ies at NIU. In 2018, he be­came NIU pres­i­den­tial re­search, schol­ar­ship and artistry pro­fes­sor—a pres­ti­gious award at NIU that pro­vides ad­di­tion­al fund­ing for four years, which Teague has used to com­mis­sion new works for steel­pan by a va­ri­ety of com­posers with dif­fer­ent styles, part of his per­son­al mis­sion to ex­pand the reper­toire for the in­stru­ment.

This recital will be ded­i­cat­ed to four peo­ple who have been es­sen­tial to the steel­pan pro­gramme at NIU, all of whom have died in the last few years.

These are its founder G Al­lan O’Con­nor, its co-di­rec­tor and pri­ma­ry link to Trinidad, Dr Clif­ford Alex­is, res­i­dent com­pos­er at NIU Dr Jan Bach who com­posed for steel­pan, and Lester Tril­la.

Lit­tle known in Trinidad, Tril­la owned a drum man­u­fac­tur­ing com­pa­ny in Chica­go and was in­vit­ed by Cliff Alex­is to at­tend an NIU con­cert, that led to Teague him­self be­ing the first re­cip­i­ent of a Tril­la schol­ar­ship. From that first con­cert, he self­less­ly com­mit­ted to be­com­ing a pa­tron of pan, help­ing to bring a num­ber of stu­dents from Trinidad and else­where in the Caribbean to the mu­sic pro­gramme at NIU.

These are four key men­tors in Teague’s life at NIU and it has in­deed a tough los­ing all of these friends and col­leagues. “These men pro­found­ly im­pact­ed the tra­jec­to­ry of my life and that of many oth­ers, and I am ex­treme­ly grate­ful for every­thing they did.”

The ti­tle piece for this recital, Sor­cer­er, is the pre­miere per­for­mance of the last piece that Jan Bach wrote for steel­pan and the on­ly so­lo piece he wrote for steel­pan. Bach is a well-known clas­si­cal com­pos­er and best known in the pan for his fa­mous con­cer­to for steel­pan and or­ches­tra, which Teague, that has per­formed with or­ches­tras all over the world. Two of his stu­dents Mia Gor­mandy and Josanne Fran­cis, both won the con­cer­to award at NIU, per­form­ing this sem­i­nal work. Bach had al­so re­worked the con­cer­to to oth­er ac­com­pa­ni­ments and at the pro­gramme, Teague will per­form this sem­i­nal work with NIU’s res­i­dent Aval­on String Quar­tet. Ben Wahlund’s Gri­ot which fea­tures steel­pan, Cheng-Hou Lee Aval­on and elec­tron­ic tape.

Wahlund had been part of the NIU steel­band when pur­su­ing his mas­ter’s de­gree and has gone on to be full-time per­cus­sion in­struc­tor at NIU and the di­rec­tor of per­cus­sion, at the Col­lege of Du­Page as well as a not­ed com­pos­er.

This piece was deeply in­flu­enced by Cliff Alex­is play­ing on the iron and Wahlund’s record­ings of Alex­is play­ing brake drum are part of this unique com­po­si­tion.

Ge­of Brad­field is a pro­fes­sor of Jazz Stud­ies at NIU and a not­ed sax­o­phon­ist and com­pos­er. He had pre­vi­ous­ly worked with the world mu­sic en­sem­ble that Teague and Robert Chap­pell led years ago, Panoram­ic, and has been a guest artist with the steel­band. Teague had want­ed to work with him in a duet set­ting, which led to Brad­field’s piece Re­flec­tions.

Teague has for sev­er­al years per­formed with harpist Faye See­man as a duet called Pan­gel­ic. A de­sire to work with her but in a trio with pi­anist William Gold­en­berg, re­sult­ed in a com­mis­sion from Gus­ta­vo Leone en­ti­tled De a Dos.

This piece is a pan and harp con­cer­to that will hope­ful­ly be played with full or­ches­tra next year. But is heard here in a trio for­mat.

Reg­gie Thomas, who is head of NIU’s jazz pro­gramme, has a long-stand­ing re­la­tion­ship with the NIU steel­band, hav­ing di­rect­ed them as well as done joint per­for­mances with the steel­band and jazz or­ches­tra. Thomas’s Steel Peace for steel­pan and pi­ano will be their first duet to­geth­er.

The fi­nal piece will be the pre­miere of the apt­ly ti­tled The Clos­er a marim­ba and pan duet by Teague’s friend and per­cus­sion col­league at In­di­ana Uni­ver­si­ty, Kevin Bobo, who has com­posed sev­er­al pieces foe Teague over the last sev­er­al years.

Bobo has trav­elled the world as a mas­ter of the marim­ba, dis­tin­guished com­pos­er and has even writ­ten method books for the in­stru­ment. The two will be per­form­ing it as part of a joint recital at the Per­cus­sive Arts So­ci­ety In­ter­na­tion­al Con­ven­tion, on No­vem­ber 13 and a mi­ni-tour.


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