Apologies to readers for breaking the promise to continue today from last week’s column on our consuming world of violence. I have diverted to examine issues surrounding the affordability of implementing the inclusion of the steelpan on the national Coat of Arms (CoA). At its core, placing the steelpan on the CoA is an effort to achieve a measure of harmony among the warring socio-economic and ethnic groups by allowing us all to identify with T&T’s greatest contribution to world civilisation.
In historical terms, implementation must engender a continuous reflection on the sacrificial and genius contribution of those pioneering originators of the pans and the bands, the tuners, early players, arrangers, and the communities around which the steelpan and the steelband were created.
We must also never forget the “pan pick-uppers” as described to me by the great Prince Batson, who was one of the first leaders of the bands which transitioned into the Trinidad All Stars. Prince said he was neither a player, tuner, nor arranger; his job was to capture pans to be turned into instruments.
In doing so, he faced the ever-present threat of a police “bootoo” registering in his back as he ran the course of the Dry River with the pans. One can get emotional about where this thing came from and the cost of it to those who were deemed to be hooligans and criminals “beating” this “noisy instrument”; men get jail just for beating “ah pan”. They remain in historical perspective the contributors, the true achievers to whom the CoA honour must be directed; what’s the cost of ignoring such sacrifice and genius?
The issue is about measuring and being able to afford the cost of implementing what was passed by the Parliament with total support from the Government and Opposition. How is the value of the creation of the pans and the bands in honour of these men and women to be judged in comparison with other costs, and what is the cost of dragging them into an unseemly and unprofessional bacchanal?
Two political-sociological concepts (Richard Harthshorne) attracted my attention over the week, with all of the above in mind. Centrifugal and centripetal forces are functioning in a population. In the instance of the first one, centrifugal forces in a plural society give impetus and encouragement to the various groups to continue pulling apart; the effect serves to further weaken the bond of unity in the country.
In contrast, centripetal forces triggered by national symbolisation (Pan in the National Coat of Arms) can work towards binding together groups differentiated by wealth, politics, ethnic and religious persuasions and can reduce the possibility of conflict and fragmentation.
The postponement of the placing of the steelpan on the national Coat of Arms turns loose a centrifugal force in an already divided society: “The decision to defer implementation is regrettable, inconsistent with the spirit of unity demonstrated in Parliament, and not in the interest of cultural advancement of Trinidad and Tobago,” PanTrinbago president Beverly Ramsey-Moore.
There can be no more relevant and appropriate quote than the above.
Centrifugal forces working against centripetal, the former a reason for divisiveness let loose in society by an effective denial of the implementation of a decision made in the national Parliament and with a patently inadequate excuse lacking in rigorous details.
Even more incisively, what are the cost comparisons with other projected spending?
The steelpan as a symbol of national pride and identity placed on the national Coat of Arms is a powerful statement which all groups in the society can enjoy, identify with as one which has come from within a Trinidad and Tobago, once soaked in colonial rule and social-class discrimination by the rulers of the period.
In placing the steelpan on the Coat of Arms, we will also value the contributions to the instrument’s protection with the possibility for an evolution and those who protected the pan and encouraged the players. Albert Gomes, representative in the Legislative Council, Lennox Pierre, the attorney who supported and worked in the interest of the recognition of the pan when that was not popular.
As premier/prime minister, Dr Eric Williams gave support to the pan, and prime ministers Patrick Manning declared the steelpan the national instrument, Dr Keith Rowley passed it into law, and Basdeo Panday made land for the construction of a pan headquarters available. Having the steelpan rightfully placed on the CoA is now relegated to an unpredictable future.
If, as the Minister of Finance, Dave Tancoo has pleaded, the inability to finance and organise, the announcement of the deferral should have been done with a full explanation of the elements of the costs, the time factors involved and the projects which took precedence over implementation of the pan on the CoA. Instead, stealth and disrespectfully scant information prevailed.
However, the Rowley-led government, which passed the legislation, is also guilty of not making adequate preparations for implementation. On reflection, for the PNM, it was an election mamaguy.
The disrespect of having this vulgar and disruptive tussle over the recognition of the national instrument is the natural outcome of low-quality party politics and government.
Tony Rakhal-Fraser—freelance journalist, former reporter/current affairs programme host and News Director at TTT, programme producer/current affairs director at Radio Trinidad, correspondent for the BBC Caribbean Service and the Associated Press, graduate of UWI, CARIMAC, Mona and St Augustine—Institute of International Relations.
