By Jessel Brizan
A fashion business can sell a garment at a seemingly attractive price and still lose money. The problem may not be the design, quality or selling price, but rather a failure to calculate the total cost of bringing the garment from concept to consumer. For Caribbean fashion businesses, this is more than an accounting issue. It is a matter of commercial survival, export competitiveness, and the region’s capacity to build a sustainable, globally competitive fashion industry.
The region’s challenge is to understand its cost structure rather than simply comparing local prices with those of international competitors. This is a challenge I examine in the De Gruyter Handbook of Fashion Marketing, where limited resources and high production costs feature among the obstacles facing Caribbean fashion businesses (Brizan, 2026, p. 183).
Beyond the price
of fabric
The cost of producing a garment begins well before the first stitch is sewn. Fabric, trims, and packaging are only the most visible inputs. As I alluded to in the article ‘The deep-rooted issues with local fashion,’ limited options and resources negatively affect the supply chain, as the design trade relies heavily on overseas sourcing (Brizan, 2022).
For businesses that source materials internationally, the price paid to a supplier is only part of the total cost.
Businesses must also account for shipping, insurance, import duties and local handling, which can significantly increase the amount required before production starts. This situation is further complicated by exchange rate fluctuations, which can create uncertainty, especially when materials are purchased in foreign currencies while finished products are sold in Caribbean currencies. Distinguishing the supplier’s price from the landed cost is essential for accurate product costing.
The regional environment presents another consideration. ‘Caribbean Development Dynamics 2025’, published by the OECD and the Inter-American Development Bank (IDB), identifies high transport costs, limited connectivity, customs procedures and barriers to trade as constraints on Caribbean competitiveness. The report estimates that logistics costs account for approximately 16 per cent to 26 per cent of the region’s GDP, compared to about 9 per cent in OECD economies (OECD/IDB, 2024). While this figure represents a regional, economy-wide estimate, it underscores the broader challenges that Caribbean producers face.
The economics of small-scale production
Having developed several fashion brands, I can attest to the direct impact that production volume has on the cost of each garment. A designer who produces 20 garments cannot achieve the same unit cost as a manufacturer producing 2,000 pieces. This is because some expenses, such as design, patternmaking, sampling, production setup, and administration, remain relatively fixed regardless of output. Larger orders can reduce unit costs but require more materials, working capital, production capacity, and greater certainty that the inventory will sell.
Consider Phlye Style, a small fashion business based in Trinidad and Tobago, producing a limited run of 4 batik dresses for a new collection. The cost of each dress includes fabric and trims ($700), labour ($250), packaging and finishing ($20), patternmaking ($150), sampling ($350), and overheads ($280), bringing the total production cost to $1,750. At a retail price of $2,200, the gross profit per dress is $450, excluding selling expenses, payment processing, marketing, and other costs.
This poses a dilemma for emerging Caribbean brands. Small-scale production limits unsold stock but raises unit costs, whereas larger production may improve manufacturing efficiency but increases inventory risk. The solution is to identify the production model that best aligns with the business’s demand, capabilities, and cash flow. Preorders, made-to-order production and shared production services can help, depending on the product and customer needs. The key factor is not the size of a collection but whether it can be sold profitably.
The labour cost that is often overlooked
Another challenge arises when business owners do not pay themselves a realistic wage for their work. For instance, a designer might develop concepts, source materials, create patterns, supervise production, manage social media, and fulfil orders. If the time spent on these tasks is not included in product costing, the final price may appear profitable when it is not. Unpaid labour does not eliminate these costs. It transfers them to the business owner. It can also make the business appear more competitive than it would be if employees were paid to perform the same work.
A credible cost model must therefore account for the work required to deliver a product, regardless of whether that work is done by the owner, employees, or contractors. The owner should understand the economic value of the labour and whether the business could remain viable as it grows.
The cost of reaching the market
A well-priced garment can still become unprofitable if the business misunderstands its route to market. Selling products directly to customers involves a different cost structure than selling through retailers. Wholesale orders typically require lower unit prices, but brands must still cover production, packaging, delivery, and administrative costs. E-commerce incurs expenses such as payment processing, fulfilment, customer acquisition, and returns, while exporting entails freight, documentation, compliance, and distribution costs.
A price that works for direct sales may not be suitable for wholesale distribution. Businesses considering international expansion must assess whether their profit margins remain sustainable after accounting for the additional costs of entering the new market.
Can the Caribbean change the cost equation?
Some production costs are unique to individual businesses and can be managed through effective planning, supplier negotiations, production scheduling, and inventory management. Other costs are influenced by the broader environment and cannot be mitigated by a designer alone.
Regional collaboration can help address some of these challenges through collective procurement of materials, shared equipment, specialised production services and stronger relationships with regional suppliers. Aggregation could help participants achieve purchasing or production volumes that individual businesses cannot attain on their own.
However, collaboration does not guarantee lower costs. It requires reliable partners, mutually agreed quality standards, adequate transport, and sufficient demand to be viable. Regional trade also raises practical questions about customs procedures, documentation, and the movement of goods between territories.
The OECD and IDB argue that deeper regional integration can foster specialisation, economies of scale, and greater participation in international value chains (OECD/IDB, 2024). For Caribbean fashion, the task is to turn these advantages into practical strategies that reduce costs and boost productivity for businesses.
Governments and industry organisations can also help by improving access to information, supporting technical training, strengthening infrastructure, and collecting more reliable data on the sector.
Costing is a strategic capability
Caribbean fashion businesses cannot control every freight charge, exchange rate fluctuation, or international trade decision. However, they can improve their understanding of costs and use that knowledge to make more informed commercial decisions.
Every business should be able to calculate the total cost of producing a product, determine the profit margin at different selling prices, distinguish between fixed and variable expenses, and evaluate the financial viability of proposed orders or export opportunities. These calculations should be reviewed whenever material prices, production methods, sales channels, or market conditions change.
Ultimately, the goal is not to make Caribbean garments cheaper than imports. It is to build businesses that understand their economics, deliver products customers value, and generate sufficient returns to reinvest in innovation, technology, quality, people, and production capacity.
Creative talent can establish a fashion business, but commercial sustainability depends on understanding the true cost of production.
References:
Brizan, J. (2022) The deep-rooted issues with local fashion. Available at: https://www.linkedin.com/pulse/ deeprooted-problem-local-fashion-jessel-brizan-design-group/
Brizan, J. (2026) ‘Caribbean Fashion Marketing: Defining Caribbean Fashion’, in Mitterfellner, O. (ed.) De Gruyter Handbook of Fashion Marketing. Berlin/Boston: De Gruyter, pp. 151–198. Available at:
https://doi.org/10.1515/9783111564876-009
OECD/IDB (2024) Caribbean Development Dynamics 2025. Paris: OECD Publishing. Available at:
https://doi.org/10.1787/a8e79405-en
