The local arts fraternity is paying tribute to Zinnia Li Cheewah (born Darren Cheewah), 55, who was a breakout star on Party Time in the 1980s and a beloved figure, especially among young people in west Trinidad. Known for breaking moulds, Cheewah preferred to be referred to as “she” after transitioning later in life.
Her passing came as a shock to many. Ronald Guy James, a veteran designer and her landlord, discovered her lifeless body in an apartment on his compound after a close friend had been trying to reach her for several days with no success. Authorities found no signs of foul play. It is believed Zinnia had suffered a seizure, a condition she had recently been consulting a doctor about.
“Zinnia was a very gentle, sweet character, very harmless, just out to liberate herself and enjoy life,” said Sterling Henderson, a journalist, artist and friend. “She was Trini to the bone—vibrant, authentic, and unapologetically herself.”
From the age of five, Zinnia showed exceptional talent as a prolific artist, creating striking pieces for advertising agencies and beyond. Her artistic journey extended to painting some of the most iconic murals around Spain and tattooing many well-known personalities in Trinidad and Tobago over the years.
Henderson said transitioning in a culture not yet familiar or comfortable with gender transitions brought challenges. “Many people knew her only in her male form,” Henderson explained. “It makes understanding her full story difficult for some.”
Despite this, Henderson said Zinnia represented excellence in dance, art and graphic design, earning widespread respect. “At one time, it felt like everyone wanted a piece of Cheewah.”
He reflected on their friendship and the mutual friends who connected them, including local personalities like Hot Dog, Marlon Brandt, Schoolboy and Ronnie—figures who, along with Zinnia, were known as the “hot boys” of their youth.
“In our last conversation, she spoke openly about her transition,” Henderson said.
“She always pushed the boundaries of masculinity—wearing kilts and sarongs, challenging societal norms. We had very good relations throughout.”
Zinnia drove a distinctive red, white and black van, a symbol of her vibrant spirit. “She might not have been what you see every day, but she made a great contribution to life in Trinidad and Tobago.”