The Grand Master will be remembered and reinterpreted by participants of Queen's Hall Theatre Camp 2010 at Tay Lay Lay with Kitch, a full-fledged production today, from 5 pm, at Queen's Hall, St Ann's. For three weeks, since July 5, 80 children between the ages of seven and 13 have been tutored in the disciplines of steelpan, drama, design, dance, voice and, for the first time, yoga–all while being exposed to the works, life and genius of Aldwyn Roberts, The Lord Kitchener.
The theatre camp has been staged without interruption since its inception in 1986 and continues to be the flag-bearer of the Hall's community outreach programme. Conceived 24 years ago by the Patrons of Queen's Hall as a tool to develop greater cultural awareness and skill among young people, the camp has evolved into an in-demand, solid arts programme. Its culminating concert has traditionally offered students an opportunity to showcase their artistic discovery. "We saw it as a way to foster love and respect for the performing arts and to groom an audience," explained Margaret Walcott, the camp's coordinator.
Throughout its existence dance educator Noble Douglas has been artistic director. One of the annual event's main features is its focus on the accomplishments of specific cultural icons. Andre Tanker, Bob Marley, Boogsie Sharpe and Peter Minshall are among focal artists in previous years. This time around the prolific output of 11-time Road March champion, Lord Kitchener, was brought into focus for participants a decade after his death. Walcott emphasised that in a context in which children are bombarded by foreign culture forms and celebrities, the camp is an important opportunity to foster awareness about our regional and local art forms and heroes. She describes as "amazing" children's response to learning about their own.
Yvonne Roberts-White, General Manager of Queen's Hall, added that Queen's Hall is proud to partner in the effort because it supports the institution's goal of nurturing the country's artistic and cultural life. In its 2010 edition, the camp features tuition in steelpan by Dougie Reddon; drama by Samantha Pierre; design by Lari Richardson; dance by Kwasi Romero; voice by Janine Romano; and, yoga by Lorraine O'Connor. The Theatre Camp employs an informal workshop approach to learning that couples small groups with hands-on training from leading professionals in the performing arts. "They learn on the ground, not from books," Walcott noted of the training process. "This is such a simple way to address both arts education and cultural memory."
