Take a bow William Munro for staging the best organised International Soca Monarch Competition, celebrating its 20th anniversary this year. Staged at the Hasely Crawford Stadium in Port-of-Spain on Carnival Friday, February 17, the event attracted thousands to witness the double coronation of Machel Montano as the Digicel International Power Soca Monarch and Play Whe Groovy Soca Monarch. While I found the Groovy Soca final to be the best ever held, selections in the Power Soca segment left much to be desired and it was the weakest of 20 finals staged, especially where the foreign finalists were concerned. Machel was outstanding in both categories and deserves his win. Also impressing me were Prophet Benjamin (Devon Samuel), especially for being a first-timer, and the first Bobo Shanti to compete in a calypso/soca final; and Benjai (Rodney Le Blanc), the latter performing People's Champion, one of the most infectious songs this year. On the topic of infectious songs this Carnival aside from the top three in the Road March competition, Benjamin's and Benjai's, also catching my fancy were Take Yuh Time (Benjai); Single (KI); Bucket and Bubble on a DJ (Swappi); So and So and Irregular (Bunji); All Over (Fay Ann & Baron); Shiver (Nadia Batson); In Your Eyes (Erphaan Alves); Over You (Kimba Sorzano); Nobody Badder Dan We (Shurwayne); and, Surrender and You Make Me (Farmer Nappy).
Machel's double crown provided much impetus for his Road March victory with his song Pump Yuh Flag; a resounding and comprehensive rout of a Carnival season if ever there was one. Contrary to those people who think that he should retire from competition I beg to respectfully differ. Nobody asked Sparrow, Kitchener, SuperBlue, Minshall, Berkeley or Peter Samuel to retire when nobody could beat them; nobody has asked Brian Mac Farlane to quit now that he has registered his sixth win in the Band of the Year competition. So, why must Machel Montano retire from competition? The Soca Monarch and Road March, and Band of the Year competitions are open contests, so anyone wishing to beat Machel or Mac Farlane had better come better than they have come before. Nobody eh sen' and invite yuh in big people ting; so shape up or ship out. Back to Soca Monarch, one of the positives was the treatment of the disabled spectators attending the show. I saw with my own eyes, attendants outside the cover stands at the stadium readily assisting paraplegics into the venue.
Organisers are also deserving of full marks for security in and out of the venue, especially in the VVIP area. This designated space was the largest I've ever seen reserved as a VVIP area, and I was impressed that it offered every colour of Johnny Walker Black available, as well as a delectable dinner. I even overheard one patron remarking at around 3 am on Saturday: "Is de bess all-inclusive ah went to this Carnival," no doubt impressed that the black hue of Johnny was still easily accessible.
The Best 5 Parties
I didn't attend as many parties as I am accustomed to as I had much more other responsibilities to attend to this season past. However, of those I attended I have singled out my Best 5-UWI, Escape to Playa del Este, Fatima College, ONE, Old Hilarians.
I must also mention that St Mary's College's Feting With the Saints has improved greatly and that all-inclusive parties hosted by St Francois Girls' College and Belmont Secondary are on the threshold of reaching the top.
The mask of...
My playing mas experience was a nightmare causing my Carnival to be bitter-sweet. Having enjoyed all the fetes and pan, the mas was anticlimactic. I played mas, for the eighth consecutive year with Tribe, now unfairly branded as "the delinquent, rebel band." Something drastic has to be done about the parade route and the burgeoning quantum of masquerade bands expected to traverse it on the two days of Carnival. The only street in POS large enough to be used as an artery to the QPS is Charlotte Street, not Henry, Frederick or Abercromby. Cipriani Boulevard, because of its width also needs to be a part of the parade route. All bands must adhere to the rules decided upon by the NCBA membership prior to Carnival, so going east along Tragarete Road is a definite no no for any band as it's supposed to be one way-west bound. The NCC/NCBA must come up with an alternative plan for the parade, perhaps allotting specific days for specific bands to parade along specific routes and venues, and never contravening such arrangement. Perhaps bands not competing in the Band of the Year competition, like Tribe and Harts Int, need to have alternative display venues away from the Parade of the Bands competition venues. Perhaps open up the routes to extend west of the city, towards St James and Mucurapo, The National Carnival Commission and its SIGs have less than one year to plan for C2K13 as Carnival Monday and Tuesday fall earlier, on February 11-12.
And in completion
I must speak out both sides of my mouth when it comes to praising the police service for maintaining law and order on both days of Carnival as much is left to be desired of the perennial problem of crowd control at the Queen's Park Savannah, and along some streets, especially Ariapita Avenue into Park Street. Out in its number, the police force was effective this year, protecting and serving, but what goes on at QPS on the Drag and in Woodbrook is a disaster waiting to happen. Why can't spectators be kept on the pavement to allow the smooth flow of bands and masqueraders? And, what ever happened to the good old days of constructing a physical barrier between bleachers and grounds along the Drag in the QPS? Had proper policing been in force on Tuesday night at the QPS, the stabbing incident would have never happened and hundreds of scampering masqueraders would not have been placed in harm's way.
